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B Standard / Baritone

B-E-A-D-Gb-B • OVERVIEW • In keeping with heavy rock’s ‘ever lower’ trend, many Scandinavian death metal groups (‘ragnarok-ers’?) were tuning right down to B by the 90s, stringing heavier and often adding a 7th to accommodate. Still popular on the global metal scene today.   Also used on ‘baritone’ guitars, which have a 5-10% longer scale length […]

 

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C Standard

C-F-Bb-Eb-G-C • OVERVIEW • Tuning ‘four frets down’ opens up a radically slacker feel (~35% lower tension). Quieter, subtler, with a loose, messy expressive freedom – but without restringing, most guitars will have at least some issues with intonation and buzz (…use them to your advantage!).   Jazz guitarist John Stowell explains how the ear […]

 

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Db Standard

Db-Gb-B-E-Ab-Db   • OVERVIEW • Aged 17, Tony Iommi lost his middle and ring fingertips in a factory accident. His DIY prosthetics – home-made ‘thimble-tips’ fashioned from a leather jacket and a melted-down soap bottle – didn’t take the tension of bendy lead playing too well, leading him to experiment with thinner strings and slackened […]

 

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D Standard / Tone Down

D-G-C-F-A-D • OVERVIEW • Tuning ‘down a whole tone’ lowers overall string tension by around 20%, decreasing volume but allowing for wide bends, subtle vibratos, and an overall ease of fretting. Great for opening up electric-style melodic freedoms on the acoustic guitar – and for reducing strain on the hands.   According to Patterson Hood […]

 

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Eb Standard / Hendrix

Eb-Ab-Db-Gb-Bb-Eb • OVERVIEW • Though immortalised by Hendrix in the late 60s, ‘half-step down’ has been in use for many centuries – both in its own right as a timbral/register choice, and as a natural way of breaking in new strings on virtually any lute-style instrument. Jimi himself had a mix of motivations:   The […]