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Compiling global examples of music in the Hungarian Major Scale
1-#2-3-#4-5-6-b7
(C-D#-E-F#-G-A-Bb-C)
o • • o o • o o • o o • o
—Music in Scales: Home—
A project gathering real-world examples of different musical scales, drawn from diverse global sounds. Support open-access musicology on PATREON!
• Hungarian Major: Sounds •
Real-world examples of the scale in action:
- General:
—T (origin)—
Artist (inst)
Q
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• Hungarian Major: More •
Features, classifiers, quirks, etc…
[analysis: coming soon]
—Classifiers & Quirks—
- Modes: (none in index)
- Quirks: Hemitonic (imperfect: ♮3, #4, ♮5, b7; detached: #4)
- Names: Hungarian Major , Dorian #2 #4 (Western); Nasikabhushani (Carnatic)
n.b. For more detailed geometric and mathematical analysis, refer to this scale’s entry in Ian Ring’s fantastic Exciting Universe of Music Theory project (for which I am an occasional ‘raga consultant’)
—Music in Scales—
Compiling global examples of music in different scales: from the famous to the abstruse, spanning diverse global traditions. Expand your aural horizons with fresh sequences!
• Scales: What even is a ‘scale’? •
• Tags: Multimodal classifications •
• Quotes: Scalar tales & musings •
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• About: Project ethos & goals •
[Random Scale]
George Howlett is a London-based musician, writer, and teacher. Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more!
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