Detached: ♮3

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Scales where the ♮3 is ‘detached’ (i.e. with no available tones a perfect 5th above or below it: in this case, the ♮6/♮7 positions)
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Detached tones (total: 0 | 1 | 2 | 3+)
1 | b2 | 2 | b3 | 3 | 4 | #4 | 5 | b6 | 6 | b7 | 7
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–Music in Scales: Home–

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Whole-Tone Scale: Examples

. Compiling global examples of music in the Whole-Tone Scale 1-2-3-#4-b6-b7 (C-D-E-F#-Ab-Bb-C) o • o • o • o • o • o • o • Whole-Tone: Sounds • Real-world examples of the scale in action: General: While the scale is rarely used as the tone-set for an entire piece, it does form a prominent part […]

 

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Phrygian Dominant Scale: Examples

. Compiling global examples of music in the Phrygian Dominant Scale 1-b2-3-4-5-b6-b7 (C-Db-E-F-G-Ab-Bb) o o • • o o • o o • o • o • Phrygian Dominant: Sounds • Real-world examples of the scale in action: ROUGH: Apart from Vakulabharanam, its Carnatic precursor, and Hijaz-Nahawand, its maqam forerunner, Basant Mukhari’s tone-collection is known is […]

 

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Superlocrian Scale: Examples

. Compiling global examples of music in the Superlocrian (‘Altered’) Scale 1-b2-b3-b4-b5-b6-b7 (C-Db-Eb-Fb-Gb-Ab-Bb) o o • o o • o • o • o • o • Superlocrian: Sounds • Real-world examples of the scale in action: General:  India: Matches the scale of the Hindustani Raag Faridi Todi, an ultra-rare variant of the ‘main’ Raag Todi […]

 

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Mixolydian b6 Scale: Examples

. Compiling global examples of music in the Mixolydian b6 (‘Major-Minor’) Scale 1-2-3-4-5-b6-b7 (C-D-E-F-G-Ab-Bb) o • o • o o • o o • o • o • Mixolydian b6: Sounds • Real-world examples of the scale in action: General:  India: Matches the shape of the well-known South Indian Ragam Charukeshi (melakarta scale #26), a […]