• Submissions & Contact •

 


Help me improve the Music in Scales project over time: use the form below to send in scale matches, corrections, feedback, suggestions, etc – all contributions fully credited!


    (n.b. If you encounter any submission errors, I can only apologise for my haphzard web coding: please email george[at]ragajunglism.org)

    (Apologies in advance if reply schedules are variable: never a lack of enthusiasm, just time! I’ll get back properly when I do…)
    [Join my PATREON!]

    This is an avowedly non-commercial project: high-quality musicology should be open to all, regardless of financial fortune – and must also remain free from the visual and spiritual pollution of advertising and hidden corporate motive. All resources here will stay 100% open-access & ad-free: who am I to charge others for this shared knowledge?

     

    Inevitably, these passion projects do not pay the bills. My site – which will always remain un-paywalled and free from ads and corporate influence – is intended as a perpetual haven from these tiresome pollutants. I put as much into these resources as time and finances allow – so if you want to hasten the expansion of these resources, and further the mission of open-access global musicology, you can:

    • Support the Site! •
    Also consider trying out some online lessons, hiring me to write or record, or just sharing your own thoughts on the project!

    MIS-BANNER-2-HIGH

    Music in Scales

    Compiling global examples of music in different scales: from the famous to the abstruse, spanning diverse global traditions. Expand your aural horizons with fresh sequences!

    Scales: What even is a ‘scale’? •
    Tags: Multimodal classifications •
    Quotes: Scalar tales & musings •
    Contact: Submit your matches •
    About: Project ethos & goals •
    [Random Scale]

    George Howlett is a London-based musician, writer, and teacher. Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more!

    Projects & articles: full list •

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