Detached: b7

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Scales where the b7 is ‘detached’ (i.e. with no available tones a perfect 5th above or below it: in this case, the b3/♮4 positions)
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Detached tones (total: 0 | 1 | 2 | 3+)
1 | b2 | 2 | b3 | 3 | 4 | #4 | 5 | b6 | 6 | b7 | 7
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–Music in Scales: Home–

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[Below – all tag results:]
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Whole-Tone Scale: Examples

. Compiling global examples of music in the Whole-Tone Scale 1-2-3-#4-b6-b7 (C-D-E-F#-Ab-Bb-C) o • o • o • o • o • o • o • Whole-Tone: Sounds • Real-world examples of the scale in action: General: While the scale is rarely used as the tone-set for an entire piece, it does form a prominent part […]

 

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Boogie Woogie Scale: Examples

. Compiling global examples of music in the Boogie Woogie Scale 1-3-5-6-b7 (C-E-G-A-Bb-C) o • • • o • • o • o o • o • Boogie Woogie: Sounds • Real-world examples of the scale in action: General: This pentatonic scale form, based around a robust 1-3-5 major triad, turns up in various traditions. Most clearly, […]

 

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Enigmatic Scale: Examples

. Compiling global examples of music in the Enigmatic Scale 1-b2-3-#4-#5-#6-7 (C-Db-E-F#-G#-A#-B-C) o o • • o • o • o • o o o • Enigmatic: Sounds • Real-world examples of the scale in action: General:  —T (origin)— Artist (inst) Q • Enigmatic: More • Features, classifiers, quirks, etc… [analysis: coming soon] —Classifiers & Quirks— […]

 

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Lydian Dominant Scale: Examples

. Compiling global examples of music in the Lydian Dominant (‘Overtone’) Scale 1-2-3-#4-5-6-b7 (C-D-E-F#-G-A-Bb) o • o • o • o o • o o • o • Lydian Dominant: Sounds • Real-world examples of the scale in action: General: The scale turns up across disparate global genres, ranging from rock instrumentals (Joe Satriani’s Flying […]