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Equilibrium

G-A-D-E-A-E • OVERVIEW • Used by solo acoustic master Erik Mongrain on Equilibrium – the architectural title track of his 2008 second album. 6str is slackened to a super-low G, over an octave below 5str – removing ~66% of its tension, and thus risking high levels of low-volume buzz (he strings heavy…).   Brings a harmonically […]

 

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Funky Avocado

B-A-D-G-A-D • OVERVIEW • ‘BADGAD’ – essentially ‘drop B DADGAD’ – has been employed by steel-string colossus Michael Hedges on The Funky Avocado, a near-disturbingly groovy duet with fretless bass virtuoso Michael Manring. According to Hedges, “it starts out with a medium R&B tempo, slows down into some heavy rock, and finishes up in a fit […]

 

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Karnivool

B-F#-B-G-B-E • OVERVIEW • A fascinating blend of Standard and ‘Drop D (-3)‘, closely associated with Australian prog-rockers Karnivool. According to its creator, longtime lead guitarist Drew Goddard, “I was just messing around with low drop tunings while not paying any attention to the high string. I liked the sequence of natural harmonics you could make…”. […]

 

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Bruce Palmer / Judy Blue Eyes

E-E-E-E-B-E • OVERVIEW • Two-tone drone tuning, often known as ‘Bruce Palmer (modal)’ after its creator, Buffalo Springfield bassist Bruce Palmer (1946-2004). Famously showcased by his Buffalo bandmate Stephen Stills at Woodstock, anchoring David Crosby & Graham Nash’s soaring vocal harmonies on the rhapsodic, romantic Suite: Judy Blue Eyes.   Forms a many-rooted E5 power chord – […]

 

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Open E / Vestapol

E-B-E-G#-B-E • OVERVIEW • Open E is like Open D’s ‘electric’ counterpart – the interval pattern is the same (also known, regardless of transposition, as ‘Vestapol’ – after The Siege of Sevastopol, an 1854 folk song about the Crimean War popular in the ‘learn guitar’ manuals of late-19th-century America).   But here, everything is raised […]