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Fuji

Bb-G-D-G-G-D • OVERVIEW • Just one I came across on the GTDB website, submitted as ‘Fuji’ by an anonymous user via an undated post. Tried it, loved it, included it here…   In the words of its unknown creator: “Here’s one I made up…I like to lumber away on the first two strings, and use […]

 

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Rakotomavo

Bb-F-C-G-C-E • OVERVIEW • Used by Germain Rakotomavo – a Malagasy master known for fusing the folk repertoire of Madagascar’s valiha (tube zither) with more traditionally guitaristic ideas, from jazz chords to the fingerpicking patterns of Chet Atkins & Merle Travis.   In Rakotomavo’s words, EADGBE “doesn’t sing. It’s for playing chords”. His tuning adapts […]

 

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Cabbage

C-A-Bb-A-G-E • OVERVIEW • C-A-Bb-A-G-E is surprisingly tasty, if rather impractical. Forms a ‘crunchy’ C13 chord…with the root(s) at the bottom. Seems silly, and it definitely is – but it’s essential to playfully shuffle things up sometimes. Anyway, J.S. Bach did much the same, famously ‘signing’ his name in The Art of Fugue as Bb-A-C-B (read […]

 

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Papa-Papa

D-A-D-D-A-D • OVERVIEW • ‘Double-dad’ tuning is handily symmetrical, mirroring its ‘D-A-D’ pattern across the guitar’s centre line to form a stacked D power chord.  (like a double-decker sandwich filled with ‘A’). Only one string differs from the more famous DADGAD – the 3str is lowered by a fourth, going super-slack to add psychedelic phasing […]

 

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Lefty Flip / Mirrored

E-B-G-D-A-E • OVERVIEW • Spare a thought for left-handed guitarists everywhere – though they can count Hendrix, Iommi, Cobain, McCartney, and many other six-stringed innovators among them, this comes as little solace whenever there’s only a ‘normal’ guitar lying around to jam on at a party.   This ‘mirror of standard’ is an intriguing workaround: […]

 

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Zen Drone

D-A-D-A-A-D • OVERVIEW • Author, educator, and NYC busker Philip Toshio Sudo (1958-2002) included this power-chord drone in his famous 1997 book Zen Guitar, intended as a gateway to spontaneous improvisation for beginners. I applaud his participative philosophy, and the general freedom of the tuning…but you gotta be careful not to ruin the Zen calm by […]

 

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C Mauna Loa

C-G-C-G-A-E • OVERVIEW • A C6 known in Hawaiian kī hō’alu (‘slack-key’) guitar as C ‘Mauna Loa’ – the name of the world’s largest active volcano, which has erupted non-stop since rising from the Pacific seabed over 400,000 years ago.   The tuning’s regular stack of three perfect 5ths brings a similarly balanced stability (6>5, 4>3, […]

 

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Open C / Wide Major

C-G-C-G-C-E • OVERVIEW • Open C (unlike Open D, G, A, and E) doesn’t quite correspond to any of our familiar EADGBE chord shapes. It’s closest to the classic ‘xx0232‘ Dmaj shape in terms of interval pattern (actually it’s like ‘making a Dmaj shape in Drop D’, then all minus 2 semitones).   For me, this […]