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• Fuji tuning •

Bb-G-D-G-G-D • OVERVIEW • Just one I came across on the GTDB website, submitted as ‘Fuji’ by an anonymous user via an undated post. Tried it, loved it, included it here…   In the words of its unknown creator: “Here’s one I made up…I like to lumber away on the first two strings, and use […]

 

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• Oud (Turkish) tuning •

E-A-B-E-A-D • OVERVIEW • The Turkish oud (fretless lute) can take many different tunings. Often, the highest four courses (string-doubles) are set to B-E-A-D, while the deepest two tend to be set up bespoke for the makam (melodic framework) in question (n.b. Also see Arabic Oud tuning: E-A-Db-Gb-B-E).   This layout is one way of […]

 

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• Rakotomavo tuning •

Bb-F-C-G-C-E • OVERVIEW • Used by Germain Rakotomavo – a Malagasy master known for fusing the folk repertoire of Madagascar’s valiha (tube zither) with more traditionally guitaristic ideas, from jazz chords to the fingerpicking patterns of Chet Atkins & Merle Travis.   In Rakotomavo’s words, EADGBE “doesn’t sing. It’s for playing chords”. His tuning adapts […]

 

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• Godzilla tuning •

Db-Ab-Eb-E-B-E • OVERVIEW • Jagged, uneven sequence used on Godzilla by Canadian-Mi’kmaq acoustic star Don Ross. Blends high-end clarity with a touch of bassy slack – ideal for his rhythmic thumb-slapping style.   Brings out tantalising, part-resolving harmonies, mixing perfect intervals (5ths & 4ths) with more dissonant combinations (minor 2nds & 6ths). Features an ultra-rare ‘perfect […]

 

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• Magic Farmer tuning •

C-F-C-G-A-E • OVERVIEW • Another wide-spread tuning from steel-strung magician Michael Hedges, showcased on The Magic Farmer (1984) – the final track of Aerial Boundaries. The pensive, gently-paced composition was a dedication to flautist Mindy Rosenfeld, his then-partner and the mother of his children (‘Rosenfeld’ means ‘field of roses’ in German).   Degrees 1, 3, […]

 

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• Carnatic (‘Drake’s Drone’) tuning •

B-E-B-E-B-E • OVERVIEW • Distinctive drone, used prominently on acoustic by Nick Drake – and on electric by ‘Guitar’ Prasanna, a South Indian virtuoso acclaimed for playing Carnatic classical ragas on his Epiphone (in Guthrie Govan’s words, “If you don’t know about Prasanna, prepare to be terrified…”).   South India’s classical melodies tend to move in […]

 

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• Coyote tuning •

C-G-D-F-C-E • OVERVIEW • Gives root to the sensual strums of Coyote, the first track from Joni Mitchell’s 1976 Hejira album – once described by literary academic Dr. Ruth Charnock as “either the most flirtatious song about fucking or the most graphic song about flirting ever written”.   Her tuning is essentially ‘Hejira + Open C’ […]

 

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• Cabbage tuning •

C-A-Bb-A-G-E • OVERVIEW • C-A-Bb-A-G-E is surprisingly tasty, if rather impractical. Forms a ‘crunchy’ C13 chord…with the root(s) at the bottom. Seems silly, and it definitely is – but it’s essential to playfully shuffle things up sometimes. Anyway, J.S. Bach did much the same, famously ‘signing’ his name in The Art of Fugue as Bb-A-C-B (read […]

 

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• Papa-Papa tuning •

D-A-D-D-A-D • OVERVIEW • ‘Double-dad’ tuning is handily symmetrical, mirroring its ‘D-A-D’ pattern across the guitar’s centre line to form a stacked D power chord.  (like a double-decker sandwich filled with ‘A’). Only one string differs from the more famous DADGAD – the 3str is lowered by a fourth, going super-slack to add psychedelic phasing […]

 

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• Lefty Flip (‘Mirrored’) tuning •

E-B-G-D-A-E • OVERVIEW • Spare a thought for left-handed guitarists everywhere – though they can count Hendrix, Iommi, Cobain, McCartney, and many other six-stringed innovators among them, this comes as little solace whenever there’s only a ‘normal’ guitar lying around to jam on at a party.   This ‘mirror of standard’ is an intriguing workaround: […]