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Teardrop

D-A-D-A-B-E • OVERVIEW • Simple in layout, this tuning expands the note range of 3-4-5-6str, opening up two perfect 5ths in the process (6>5str and 4>3str). The open chord – a ‘Drop D sus’ variant – has an ambiguous resonance, giving room for varied explorations in all directions.   Demonstrated superbly by José González on […]

 

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Jack’s Chikari

Ḋ-Ḋ-D-G-B-E • OVERVIEW • Jack Jennings (like me, a UK-based Hindustani guitar explorer) replaces his two lowest strings with super-light .8s, both tuned to high D to mirror the chikari of a sitar – two unfrettable ‘rhythm strings’ on the large Indian lute’s top side, used to add groove and textural colour.   Jack’s ingenious […]

 

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Ten Years

D-E-C-A-D-E • OVERVIEW • One advantage of tuning via spelling is that you can stumble upon fresh, genuinely counterintuitive combinations. ‘Decade’ tuning is a fantastic example of this, placing a wide middle between narrow outer intervals (‘maj & min 6ths sandwiched by 2nds’). Mind the uneven looseness, for example between the slack 5str and super-taut […]

 

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Mesopotamian

B-A-G-D-A-D • OVERVIEW • ‘I once met a mysterious guitarist from Mesopotamia, who would only teach in his local tuning…’ لول Pattern: 10-10-7-7-5 | Harmony: D6(sus4) | Intervals: 6-5-4-1-5-1 • TUNE UP • [YT] • SOUNDS • The actual music of Baghdad spans a rich variety of sonic and social influences, both ancient and modern. […]

 

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C Mauna Loa

C-G-C-G-A-E • OVERVIEW • A C6 known in Hawaiian kī hō’alu (‘slack-key’) guitar as C ‘Mauna Loa’ – the name of the world’s largest active volcano, which has erupted non-stop since rising from the Pacific seabed over 400,000 years ago.   The tuning’s regular stack of three perfect 5ths brings a similarly balanced stability (6>5, 4>3, […]