• Road tuning •



Nick Drake’s beautifully concise tuning for Road  – itself a beautifully concise track – is a fantastic way to spark fresh chordal inspiration. And it’s only a quick 3str peg-slacken away from Standard


The E7sus4 ‘open chord’ is fairly easy to adapt to, as the ‘new’ 3str note is just another E (you can use it like a drone…). It offers a handy 6-3-1str triple-unison, while also featuring a narrow ‘maj 2nd in the middle’ – opening up fresh, mood-ambiguous cluster voicings.


(n.b. Drake’s original, on 1972’s Pink Moon, may have been down a tone to D-G-D-D-A-D, capo’d at 4 instead of 2 – we’ll likely never know. He also uses the same configuration on Voice from the Mountain: capo 1 or 3 depending on transposition.)

Pattern: 5>5>2>7>5
Harmony: E7sus4 | 1-4-b7-1-5-1




Some describe Road as ‘uncharacteristically upbeat’ (e.g. Songfacts: “a rare upbeat track from the legendary troubadour of haunting despair”). I’m not quite sure this is fair, for two reasons. Firstly, we tend to oversimplify our creative icons into their ‘tagline personalities’ – while Drake definitely suffered from crushing periods of depression, he wasn’t downcast all the time. He penned plenty of other tracks that can easily be felt as uplifting or optimistic (e.g. Hazey Jane II, Introduction, Bryter Layter, Fly).


In the opinion of Cally Calloman, who assists with archiving and managing Drake’s musical estate, “Nick was incapable of writing and recording while he was suffering from periods of depression. He wasn’t depressed during the writing or recording of Pink Moon, and was immensely proud of the album”. Let’s not forget the broader human experiences of our complex creative figures…


Secondly, I’m not sure I’d describe the song as ‘upbeat’ anyway. While the guitar part has a certain bounce (rolling along at ~150 bpm), the lyrics bring an altogether different flavour. After all, the narrator conveys little of fact other than their preference to avoid paths that will ‘take them to the stars’ – which doesn’t sound so uplifting to me…although it’s not ‘downcast’ either – maybe ‘introverted’? I first learnt the song as a teenager, and perform it live, over a decade later…and I’m still not sure.


  • Road – Nick Drake (1972):

“You can say the sun is shining if you really want to,

I can see the moon and it seems so clear

You can take the road that takes you to the stars, now,

I can take the road that’ll see me through,

I can take the road that’ll see me through”


Critic Anthony DeCurtis sees similar ambiguity in the track, and the whole of the Pink Moon album: “It’s difficult to say what the songs are ‘about’. His lyrics are so compressed as to be kind of folkloric haikus, almost childishly simple in their structure, and elemental in their imagery. His voice conveys, in its moans and breathy whispers, an alluring sensuality – but he sings as if he were viewing his life from a great, unbridgeable distance. That element of detachment is chilling.”


n.b. Road also appears on the soundtrack for Bandslam, a 2009 “musical romantic comedy drama film” featuring Vanessa Hudgens and, in a brief cameo, David Bowie – in what would prove to be his final film appearance (“the story revolves around Will and Charlotte, who form an unlikely bond through their shared love of music. Assembling a like-minded crew of misfits, the friends form a rock group…”).


  • A rework from ‘Requiem for Pink Moon: An Elizabethan Tribute to Nick Drake‘ – live at Munich’s Herz-Jesu Church (2004):

Road: shapes (cp.4)

• A: 0-5-2-0-0-0 | 5-0-2-0-0-0

• B: 2-0-0-0-0-0 | 0-2-0-0-0-0

• C: 5-2-0-0-0-0 | 5-0-2-0-0-0

Structure: A-B-A | B-A-C | A-B-A


6str 5str 4str 3str 2str 1str
Note E A D E B E
Alteration 0 0 0 -3 0 0
Tension (%) 0 0 0 -29 0 0
Freq. (Hz) 82 110 147 165 247 330
Pattern (>) 5 5 2 7 5
Semitones 0 5 10 12 19 24
Intervals 1 4 b7 1 5 1
  • See my Tunings Megatable for further such nerdery: more numbers, intervallic relations, comparative methods, etc. And to any genuine vibratory scientists reading: please critique my DIY analysis!


—Associated tunings: proximities of shape, concept, context, etc…


—Further learnings: sources, readings, lessons, other onward links…

  • Nick Drake’s altered tunings: see the entry for him in my Altered-Tuned Artists article – and for playing tips, check out Chris Healey’s tabs/tunings pages, and Josh Turner’s superb stylistic demo lesson
  • Gabrielle Drake: listen to an eloquent, heart-wrenching letter to Nick, written and read aloud by his sister Gabrielle three decades on from his death in 1974 (herself an acclaimed stage and screen actress, appearing in everything from TV dramas to cult erotic thrillers…and even Coronation Street)


Browse 100+ tunings: type in names, notes, artists, sequences, words, etc. Also see tags below & the Full Menu:


RJ’s ‘World of Tuning’

Everything you didn’t realise you wanted to know about guitar tuning: fresh perspectives from Ming Dynasty mythology to modern psychoacoustics via jazz, Joni, Madagascar, & more. Ad-free, open-access multimedia resources, continually updated (‘tuned’) over time. Feedback encouraged…

[under construction: out 2021!]

​​Home | Tunings Menu (100+) | Peg-twisting artists | Joni’s stringed canvas | [James Taylor’s puzzle] | Divine Indian drones | Alpha-melodic games | [Double-side capoing] | [Tuning by ear] | Quotes, tales, musings | [Social, spiritual, scientific] | [Global instruments] | [Microtonal guitars] | [Overtonal scale explorer] | Megatable | [Glossary] | Feedback


rāga: ‘that which colours the mind’

George Howlett is a London-based musician, writer, and teacher. I play guitar, tabla, and santoor, loosely focusing on jazz, rhythm, and other global improvised traditions. Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the human voices, cultures, and passions behind them. Site above, follow below, & hit me up for…


—guitar & global music—

Dedicated to Nigel Tufnel – a true tuning connoisseur

everything here will remain ad-free and open access