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Teardrop

D-A-D-A-B-E • OVERVIEW • Simple in layout, this tuning expands the note range of 3-4-5-6str, opening up two perfect 5ths in the process (6>5str and 4>3str). The open chord – a ‘Drop D sus’ variant – has an ambiguous resonance, giving room for varied explorations in all directions.   Demonstrated superbly by José González on […]

 

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Fuji

Bb-G-D-G-G-D • OVERVIEW • Just one I came across on the GTDB website, submitted as ‘Fuji’ by an anonymous user via an undated post. Tried it, loved it, included it here…   In the words of its unknown creator: “Here’s one I made up…I like to lumber away on the first two strings, and use […]

 

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Bağlama / Saz

G-G-D-D-A-A • OVERVIEW • The bağlama is a three-course lute of variable neck length, popular in Turkish folk music (n.b. nearby cultures call similar variants the saz, and other local names include kopuz, irisva, balta, and bulgari). Played with a cherrywood pick, the frets, made of fishing line, are moveable – opening up infinite microtonal shades. […]

 

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Equilibrium

G-A-D-E-A-E • OVERVIEW • Used by solo acoustic master Erik Mongrain on Equilibrium – the architectural title track of his 2008 second album. 6str is slackened to a super-low G, over an octave below 5str – removing ~66% of its tension, and thus risking high levels of low-volume buzz (he strings heavy…).   Brings a harmonically […]

 

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Airtap!

F-A-C-F-C-F • OVERVIEW • Used by Montreal acoustic genius Erik Mongrain to facilitate the virtuosic ‘lap-tapping’ techniques of Airtap!, an oldskool viral favourite (uploaded back in 2006: YouTube’s early days). Like playing piano, bass, & drums on the strings – all at the same time…   The intervallic structure matches the guitar’s ‘classic’ Gmaj shape […]

 

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Rakotomavo

Bb-F-C-G-C-E • OVERVIEW • Used by Germain Rakotomavo – a Malagasy master known for fusing the folk repertoire of Madagascar’s valiha (tube zither) with more traditionally guitaristic ideas, from jazz chords to the fingerpicking patterns of Chet Atkins & Merle Travis.   In Rakotomavo’s words, EADGBE “doesn’t sing. It’s for playing chords”. His tuning adapts […]

 

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Godzilla

Db-Ab-Eb-E-B-E • OVERVIEW • Jagged, uneven sequence used on Godzilla by Canadian-Mi’kmaq acoustic star Don Ross. Blends high-end clarity with a touch of bassy slack – ideal for his rhythmic thumb-slapping style.   Brings out tantalising, part-resolving harmonies, mixing perfect intervals (5ths & 4ths) with more dissonant combinations (minor 2nds & 6ths). Features an ultra-rare ‘perfect […]

 

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Dracula

C-G-C-F-Bb-D • OVERVIEW • A deepened tuning showcased on Dracula and Friends (Pt. 1) by Mi’kmaq-Canadian fingerstyle virtuoso Don Ross (who thankfully deviated from his original career plan: he was once enrolled in priesthood training at at San Damiano Friary, set to become a Franciscan monk…).   Robust interval pairs, set in neat descending order (perf. […]

 

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Alphabet

A-B-C-D-E-F • OVERVIEW • While admittedly easy to remember, ‘Alphabet’ tuning isn’t exactly the most melodically (or physically) practical. Nevertheless, there is always value to be found in embracing some creative chaos – in this case, via the arbitrary nature of ‘Alpha-melodic’ tunings (i.e. with notes chosen via some spelling-based method).   These oddball approaches can serve as […]

 

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Jack’s Chikari

Ḋ-Ḋ-D-G-B-E • OVERVIEW • Jack Jennings (like me, a UK-based Hindustani guitar explorer) replaces his two lowest strings with super-light .8s, both tuned to high D to mirror the chikari of a sitar – two unfrettable ‘rhythm strings’ on the large Indian lute’s top side, used to add groove and textural colour.   Jack’s ingenious […]