line

Equilibrium

G-A-D-E-A-E • OVERVIEW • Used by solo acoustic master Erik Mongrain on Equilibrium – the architectural title track of his 2008 second album. 6str is slackened to a super-low G, over an octave below 5str – removing ~66% of its tension, and thus risking high levels of low-volume buzz (he strings heavy…).   Brings a harmonically […]

 

line

Godzilla

Db-Ab-Eb-E-B-E • OVERVIEW • Jagged, uneven sequence used on Godzilla by Canadian-Mi’kmaq acoustic star Don Ross. Blends high-end clarity with a touch of bassy slack – ideal for his rhythmic thumb-slapping style.   Brings out tantalising, part-resolving harmonies, mixing perfect intervals (5ths & 4ths) with more dissonant combinations (minor 2nds & 6ths). Features an ultra-rare ‘perfect […]

 

line

Alphabet

A-B-C-D-E-F • OVERVIEW • While admittedly easy to remember, ‘Alphabet’ tuning isn’t exactly the most melodically (or physically) practical. Nevertheless, there is always value to be found in embracing some creative chaos – in this case, via the arbitrary nature of ‘Alpha-melodic’ tunings (i.e. with notes chosen via some spelling-based method).   These oddball approaches can serve as […]

 

line

G Standard / Terz

G-C-F-Bb-D-G • OVERVIEW • The small, cute ‘Terz guitar’ (or ‘chitarrino’), 10-20% shorter than a Strat and tuned a minor 3rd higher, enjoyed wild popularity in early 19th-century Europe. According to scholar and modern Terzmaster Dr. James Buckland, audiences hailed the tiny axe for its “brilliant tone, fast response, and ability to project through orchestral […]

 

line

F Standard

F-Bb-Eb-Ab-C-F • OVERVIEW • By accident and design, countless guitarists have ended up tuning a semitone sharp of standard. Raises overall tension by ~12% – giving a fantastic volume boost – but limiting bends, barres, and general fluency, especially on steel-string acoustics.   Works best on lighter-strung, shorter-scale guitars – e.g Les Pauls will handle […]

 

line

Funky Avocado

B-A-D-G-A-D • OVERVIEW • ‘BADGAD’ – essentially ‘drop B DADGAD’ – has been employed by steel-string colossus Michael Hedges on The Funky Avocado, a near-disturbingly groovy duet with fretless bass virtuoso Michael Manring. According to Hedges, “it starts out with a medium R&B tempo, slows down into some heavy rock, and finishes up in a fit […]

 

line

Gothic

Eb-G-D-A-Bb-C • OVERVIEW • Introduced by Japanese axeman Ichika Nito to explore fresh avenues of his imaginative electric fingerpicking style. With a different tone on each string, it offers up a complex chordal canvas.   Only 4str stays familiar from Standard. Try raking through the divine natural harmonics at <12/7/5fr>, and sliding up and down […]

 

line

Gambale

A-D-G-C-E-A • OVERVIEW • A restrung, Nashville-style arrangement of the ‘standard’ 5>5>5>4>5 pattern – the whole guitar is raised up by a fourth, and the top two strings are then lowered by an octave. In relative terms: akin to capoing at 12fr, but only across 6-5-4-3str.   Developed by fusion virtuoso Frank Gambale for to […]

 

line

Lefty Flip / Mirrored

E-B-G-D-A-E • OVERVIEW • Spare a thought for left-handed guitarists everywhere – though they can count Hendrix, Iommi, Cobain, McCartney, and many other six-stringed innovators among them, this comes as little solace whenever there’s only a ‘normal’ guitar lying around to jam on at a party.   This ‘mirror of standard’ is an intriguing workaround: […]

 

line

Mi-composé

E-A-Ḋ-G-B-E • OVERVIEW • Used by flamboyant 1950s Congolese guitarist Zacharie Elenga, also known as ‘Jhimmy the Hawaiian’ – after country star Jimmy Rogers (already a global icon), and Elenga’s own self-mythologised brand of thumb-and-forefinger picking (which, though formidable, had very little to do with Hawaii).   Jhimmy shot to fame in Léopoldville (now Kinshasa), […]