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Fuji

Bb-G-D-G-G-D • OVERVIEW • Just one I came across on the GTDB website, submitted as ‘Fuji’ by an anonymous user via an undated post. Tried it, loved it, included it here…   In the words of its unknown creator: “Here’s one I made up…I like to lumber away on the first two strings, and use […]

 

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Equilibrium

G-A-D-E-A-E • OVERVIEW • Used by solo acoustic master Erik Mongrain on Equilibrium – the architectural title track of his 2008 second album. 6str is slackened to a super-low G, over an octave below 5str – removing ~66% of its tension, and thus risking high levels of low-volume buzz (he strings heavy…).   Brings a harmonically […]

 

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Rakotomavo

Bb-F-C-G-C-E • OVERVIEW • Used by Germain Rakotomavo – a Malagasy master known for fusing the folk repertoire of Madagascar’s valiha (tube zither) with more traditionally guitaristic ideas, from jazz chords to the fingerpicking patterns of Chet Atkins & Merle Travis.   In Rakotomavo’s words, EADGBE “doesn’t sing. It’s for playing chords”. His tuning adapts […]

 

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Alphabet

A-B-C-D-E-F • OVERVIEW • While admittedly easy to remember, ‘Alphabet’ tuning isn’t exactly the most melodically (or physically) practical. Nevertheless, there is always value to be found in embracing some creative chaos – in this case, via the arbitrary nature of ‘Alpha-melodic’ tunings (i.e. with notes chosen via some spelling-based method).   These oddball approaches can serve as […]

 

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Iris

B-D-D-D-D-D • OVERVIEW • Unique droning arrangement created by the Goo Goo Dolls’ John Rzeznik for Iris, the group’s smash-hit power ballad from 1998. Balances purity and dissonance: while the 5-1str are all tuned to D, the 6str is taken right down to a superlow B – providing a narrow, crunchy minor 3rd gap between the […]

 

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Funky Avocado

B-A-D-G-A-D • OVERVIEW • ‘BADGAD’ – essentially ‘drop B DADGAD’ – has been employed by steel-string colossus Michael Hedges on The Funky Avocado, a near-disturbingly groovy duet with fretless bass virtuoso Michael Manring. According to Hedges, “it starts out with a medium R&B tempo, slows down into some heavy rock, and finishes up in a fit […]

 

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Carnatic Drone

B-E-B-E-B-E • OVERVIEW • Distinctive drone, used prominently on acoustic by Nick Drake – and on electric by ‘Guitar’ Prasanna, a South Indian virtuoso acclaimed for playing Carnatic classical ragas on his Epiphone (in Guthrie Govan’s words, “If you don’t know about Prasanna, prepare to be terrified…”).   South India’s classical melodies tend to move in […]

 

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Mesopotamian

B-A-G-D-A-D • OVERVIEW • ‘I once met a mysterious guitarist from Mesopotamia, who would only teach in his local tuning…’ لول Pattern: 10>10>7>7>5 Harmony: D6(sus4) | 6-5-4-1-5-1 • TUNE UP • [YT] • SOUNDS • The actual music of Baghdad spans a rich variety of sonic and social influences, both ancient and modern. Long renowned […]

 

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Karnivool

B-F#-B-G-B-E • OVERVIEW • A fascinating blend of Standard and ‘Drop D (-3)‘, closely associated with Australian prog-rockers Karnivool. According to its creator, longtime lead guitarist Drew Goddard, “I was just messing around with low drop tunings while not paying any attention to the high string. I liked the sequence of natural harmonics you could make…”. […]

 

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Gambale

A-D-G-C-E-A • OVERVIEW • A restrung, Nashville-style arrangement of the ‘standard’ 5>5>5>4>5 pattern – the whole guitar is raised up by a fourth, and the top two strings are then lowered by an octave. In relative terms: akin to capoing at 12fr, but only across 6-5-4-3str.   Developed by fusion virtuoso Frank Gambale for to […]