F-C-F-Ab-C-F • OVERVIEW • Essentially ‘Open Dm raised by 3 semitones’ – thus matching the interval pattern of a Standard-tuned ‘0-2-2-0-0-0’ Em chord (or, more precisely, a ‘1-3-3-1-1-1’ Fm barre shape). Categorised as a ‘cross-note‘ tuning, as you can easily ‘cross’ from minor to major with the one-finger shape ‘0-0-0-1-0-0’ (whereas in Open Dmaj, the […]
• Albert Collins Fm tuning •
• Open Dm (‘Bentonia’) tuning •
D-A-D-F-A-D • OVERVIEW • Matches a Standard-tuned Emin shape (‘0-2-2-0-0-0’) in terms of interval structure – with everything twisted a whole tone lower. Thus forms a ‘cross-note‘ layout, as (unlike in Open Dmaj) you can easily ‘cross over’ to major voicings with just one finger (e.g. ‘0-0-0-1-0-0’). Associated with haunting Delta bluesman Skip James (and […]
• Fuji tuning •
Bb-G-D-G-G-D • OVERVIEW • An unorthodox Gmin inversion I came across while browsing the GTDB site for little-used layouts, submitted under the name ‘Fuji’ by a nameless user in an undated post. Tried it, loved it, included it here… In the words of its anonymous creator: “Here’s one I made up…I like to lumber […]
• Open Fm tuning •
C-F-C-F-Ab-C • OVERVIEW • A rare, slackened transposition of Open Gmin: the same interval pattern is lowered by a whole tone. Qualifies as a species of ‘cross-note’ tuning – as you can easily ‘cross over’ to playing in Fmaj (e.g. ‘0-0-0-0-1-0’: whereas the inverse maj-to-min flip in Open Fmaj/Gmaj is less straightforward). As is characteristic for the extended Open […]
• Open Em (‘Cross-note’) tuning •
E-B-E-G-B-E • OVERVIEW • Takes the same interval pattern as Open Dm, raised two semitones higher: thus mirroring the exact note sequence of our familiar ‘0-2-2-0-0-0’ Emin chord from Standard (…as if you’d tuned to its notes rather than fretting them). Best suited to the lighter strings of electric guitars, due to the high wind […]
• Open Cm (‘Wide Minor’) tuning •
C-G-C-G-C-E • OVERVIEW • Open Cm (unlike Open Dm, Gm, and Em) doesn’t really match with any of our familiar Standard-tuned minor shapes (it’s closest to the ‘x-x-0-2-3-1’ Dm chord – or more precisely, it’s a ‘Dm shape in Drop D, then dropping everything 2 semitones’). Another ‘cross-note’ tuning – as you can easily ‘cross-over’ […]
• Open Gm (‘Banjo Minor’) tuning •
D-G-D-G-Bb-D • OVERVIEW • Resembles a Standard-tuned Amin shape (‘0-0-2-2-1-0’) in terms of interval structure. Thus qualifies as a ‘cross-note’ layout: as you can easily ‘cross over’ to a Gmaj voicing with just one finger, as ‘0-0-0-0-1-0’ (something much less straightforward in the other direction, i.e. making Gmin voicings in Open Gmaj). Note the 5th in […]
