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• Fuji tuning •

Bb-G-D-G-G-D • OVERVIEW • Just one I came across on the GTDB website, submitted as ‘Fuji’ by an anonymous user via an undated post. Tried it, loved it, included it here…   In the words of its unknown creator: “Here’s one I made up…I like to lumber away on the first two strings, and use […]

 

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• Oud (Arabic) tuning •

E-A-Db-Gb-B-E • OVERVIEW • The Arabic oud (fretless lute) is slightly larger than its Turkish cousin, and consequently takes deeper tunings too. This layout transposes a common Arabic tuning, popular in Syria and the surrounding region (…to jam with the original depth, move everything down 4 semitones: C-F-A-D-G-C).   Note the guitar-like circle of fourths […]

 

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• Oud (Turkish) tuning •

E-A-B-E-A-D • OVERVIEW • The Turkish oud (fretless lute) can take many different tunings. Often, the highest four courses (string-doubles) are set to B-E-A-D, while the deepest two tend to be set up bespoke for the makam (melodic framework) in question (n.b. Also see Arabic Oud tuning: E-A-Db-Gb-B-E).   This layout is one way of […]

 

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• Equilibrium tuning •

G-A-D-E-A-E • OVERVIEW • Used by solo acoustic master Erik Mongrain on Equilibrium – the architectural title track of his 2008 second album. 6str is slackened to a super-low G, over an octave below 5str – removing ~66% of its tension, and thus risking high levels of low-volume buzz (he strings heavy…).   Brings a harmonically […]

 

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• Airtap tuning •

F-A-C-F-C-F • OVERVIEW • Used by Montreal acoustic genius Erik Mongrain to facilitate the virtuosic ‘lap-tapping’ techniques of Airtap!, an oldskool viral favourite (uploaded back in 2006: YouTube’s early days). Like playing piano, bass, & drums on the strings – all at the same time…   The intervallic structure matches the guitar’s ‘classic’ Gmaj shape […]

 

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• Rakotomavo tuning •

Bb-F-C-G-C-E • OVERVIEW • Used by Germain Rakotomavo – a Malagasy master known for fusing the folk repertoire of Madagascar’s valiha (tube zither) with more traditionally guitaristic ideas, from jazz chords to the fingerpicking patterns of Chet Atkins & Merle Travis.   In Rakotomavo’s words, EADGBE “doesn’t sing. It’s for playing chords”. His tuning adapts […]

 

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• Haja’s Bb tuning •

Bb-F-C-F-Bb-C • OVERVIEW • ‘Haja’ (pronounced ‘Adz’) is an innovative modern guitarist from Madagascar. His exuberant, rhythmic playing style fuses elements from across the island’s wealth of sonic traditions – showcased via breathtaking solo electric performances as well as in his long-running fusion group Solomiral.   His chosen tuning (equivalent to Orkney -2) forms a […]

 

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• Yvette’s Dadd9 tuning •

D-A-D-F#-A-E • OVERVIEW • A melodious Open D variant, which retains Standard’s high E1str tone to give a spacious Dadd9 voicing. Pleasingly, the 6-2str intervals are arranged in descending order of width, narrowing in neat sequence as you ascend (7>5>4>3: 5th > 4th > maj. 3rd > min. 3rd) – until you encounter the unexpectedly […]

 

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• Godzilla tuning •

Db-Ab-Eb-E-B-E • OVERVIEW • Jagged, uneven sequence used on Godzilla by Canadian-Mi’kmaq acoustic star Don Ross. Blends high-end clarity with a touch of bassy slack – ideal for his rhythmic thumb-slapping style.   Brings out tantalising, part-resolving harmonies, mixing perfect intervals (5ths & 4ths) with more dissonant combinations (minor 2nds & 6ths). Features an ultra-rare ‘perfect […]

 

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• Dracula tuning •

C-G-C-F-Bb-D • OVERVIEW • A deepened tuning showcased on Dracula and Friends (Pt. 1) by Mi’kmaq-Canadian fingerstyle virtuoso Don Ross (who thankfully deviated from his original career plan: he was once enrolled in priesthood training at at San Damiano Friary, set to become a Franciscan monk…).   Robust interval pairs, set in neat descending order (perf. […]