Almost everything: 2016-present

Above all, I aim to enthuse fellow musical searchers, connecting new sounds and textures to the human voices, cultures, and passions behind them. I cover topics loosely related to raga, jazz, and global improvisation, drawing on my study of guitar, tabla, sitar, and santoor in India and the UK.
• Join my PATREON! •
In the past few years I’ve written for Darbar, The Wire, Jazzwise, Jazzed, MusicRadar, and Guitar World, on subjects spanning Coltrane and Hendrix to microtonal guitar tunings and West African polyrhythms. I also teach guitar & global music (hit me up for Lessons). Here’s a list of nearly everything so far…
—Guitar Resources—
• Fresh Repertoire: global guitar •
• World of Tuning: peg-twisting •
—Indian Classical Music—
• Raga Index: Hindustani horizons •
• Darbar: Outreach musicology •
• Ragatip: South Asian sonic tales •
—Other Writings—
• Reviews: London happenings •
• Odds & ends: other explorations •
• Non-musicals: activism & more •
(green = hosted here, blue = off-site)
• GUITAR RESOURCES •
Guitar Resources: Full List: assorted lesson articles (for Guitar World, MusicRadar, etc) – fresh fretboard perspectives via global ideas, and reappraising some familiar topics along the way…
- West African rhythm: Saharan kora harps & Ewe polyrhythms
- Golden-age hip-hop: arranging classic loops for the guitar
- Short jazzy loops: concise, self-contained chord sequences
- One-chord songs: from rock and blues to folk and orchestral
- Guitarless learning: practicing without an instrument around
- Jazz walking bass: capturing melody, harmony, and swing
- Zero-th fret awareness: incorporating open string tones
- Odd-time songwriting: building groove and a versatile ‘feel’
- Alankar ‘decoration’: India’s incredible melodic ornaments
- North Indian basics: two raga snapshots, and the tintal cycle
- Percussive acoustic guitar: techniques & animal rhythms
- Creative wah pedal use: vowels, circuitry, & classic Hendrix
- The ‘fretless fretboard’: using nothing but natural harmonics
- Flamen-konnakol rumba: Spanish-Carnatic interchange
- Prasanna’s Hansadhwani: Transcribing Carnatic guitar
- Spinal Tap – up to 11: their ‘hidden’ roots in jazz, Bach, & raga
- Jazz chord formulas: all the important interval structures
• DARBAR •
Living Traditions: 21 articles for 21st-century Indian classical music – in-depth collection for Darbar, exploring how music with ancient roots is adapting to a fast-paced, interconnected modern world (2019)
—Interviews: Artists in their own words
- Ustad Shahid Parvez (sitar): innovation and hyper-discipline
- Ustad Bahauddin Dagar (rudra veena): Dhrupad through time
- Debasmita Bhattacharya (sarod): nature, gender, illusion
- Dr. Trichy Sankaran (mridangam): life-rhythmic joy
- Dr. Ashwini Bhide-Deshpande (khayal): limits of the analytical
- Akram Khan MBE (dance): universal choreographic empathy
- Pandit Sanju Sahai (tabla): food, fusion, family heritage
- Begum Parveen Sultana (khayal): raga-religious mirrors
- Pandit Debashish Bhattacharya (slide guitar): rebirth
- Pandit Rupak Kulkarni (bansuri): global flute myths
- Meeta Pandit (khayal): family origins of the Gwalior gharana
—Explorations: Multiple perspectives
- Chandranandan: metaphysics of a modern raga creation
- Tihai: the power of threes: tripartite ‘stories’ across culture
- Chiming with other genres: sonic bridges to styles you know
- Singing sculptures: curious instruments: ten timbres
- In-depth Carnatic primer: South India’s mellifluous music
- Exploring Raag Malkauns: ‘he who wears serpents as garlands’
- Seven days of santoor: the hundred-stringed Hindustani box
- Twelve days of tabla: profiling the world’s most versatile drum
- The sitar from different angles (Pt. 1): histories, heroes, myths
- The sitar from different angles (Pt. 2): modern innovations
Other Darbar writing: articles, events, projects, etc (from 2018)
- Artist Database: 150+ quick bios of our past performers
- YouTube channel: 300+ video descriptions on musical context
- Darbar VR360: covering the world’s first fully VR music festival
- Raga writings: e.g. Darbari – musicological, historical, spiritual
- Community: e.g. obituary of Pt. Ramakant Gundecha [n.b. note]
- Programmes for Barbican, Southbank, & Sadler’s Wells
- Editing 80+ shorter articles by author & critic Jameela Siddiqi
- Social media, press releases, engagement with academia, etc
• WORLD OF TUNING •
Exploring how we can get the most out of our peg-twisting rituals, examining tuning horizons from multiple musical angles: practical, harmonic, historic, social, scientific, spiritual, and so forth…
• Menu of Altered Tunings •
In-depth database: ‘Palate expander’ of 6-string tunings from around the world – with notes, songs, origin tales, etc (see Tag List):
—ALL RESOURCES—
Menu of Tunings (100+) • Altered-tuned artists • Divine Indian drones • Global instrument tunings • Joni Mitchell’s stringed canvas • Alpha-melodic word-games • James Taylor’s puzzle • Double-siding: capo-harp hacks • Tales & quotes • Megatable: analytics • Glossary • Feedback
“There’s perhaps no better guide to alternate tunings than George Howlett’s ‘World Of Tuning’: with its compendium of 100 tunings, each helpfully accompanied by recorded samples, details on the intervallic relationships between strings, and bios of the guitarists who invented or popularised them…” (The Wire: Unofficial Channels, Aug 2022)
—Hindustani Raga Index—
Ragas, while truly mystical in nature, are often unnecessarily ‘over-mystified’. These resources unpack the phenomenon from multiple musical angles, going in-depth (and into new areas) while also building ‘from the ground up’ – with no prior knowledge assumed, and all terms defined. Start from anywhere…
• Search: Find your new favourite •
• Tags: Classifying the ragascape •
• Ragatable: Analytical connections •
• Glossary: Raga jargon demystified •
• Tanpuras: Divine overtonal drones •
• Quotes: Musings from raga artists •
• Murchanas: Swara-set rotations •
• Thaat: Bhatkhande’s base scales •
• Talas: Hindustani rhythm cycles •
• Instruments: Singing sculptures •
• Masterlist: 1000+ ragas profiled •
Sa | Re | Ga | Ma | Pa | Dha | Ni
• Megalist (365+ ragas) •
Ahir Bhairav | Antardhwani | Asavari | Bageshri | Basant Mukhari | Bhairav | Bhairavi | Bhimpalasi | Bhupali | Bihag | Bilaskhani Todi | Chandranandan | Charukeshi | Darbari | Desh | Durga | Gorakh Kalyan | Jhinjhoti | Jog | Jogkauns | Kafi | Kalavati | Kaunsi Kanada | Lalit | Malkauns | Marwa | Megh | Miyan ki Malhar | Multani | Parameshwari | Patdeep | Pilu | Poorvi | Puriya | Puriya Dhanashree | Shree | Tilak Kamod | Todi | Vachaspati | Yaman
—Search the Index—
“Raga: The melodic foundations of Indian classical music…To oversimplify, ragas function something like ‘mood recipes’, each presenting their own ‘ingredients’, such as core phrases, note hierarchies, ascending & descending lines, and ornamentations, as well as rules and guidelines for how (and when) to blend them – alongside a wealth of cultural associations…particular hours, seasons, or deities. Crucially, ragas are much more about aesthetics than theory, aimed foremost at summoning a unique set of sentiments and colours…”
• REVIEWS •
Various events from 2016, mostly jazz & global concerts in London (…the spectre of free press tickets helped get me into music writing in the first place)
- Soweto Kinsch & LSO @ Barbican: apocalyptic visions (Jazzwise)
- Marcel Khalifé @ Barbican: Lebanese lamenations (Jazzwise)
- Dawn of Midi & Co. @ Barbican: a Bauhaus centenary (Jazzwise)
- Alina Bzhezhinska @ The Crypt: lush hip-harp fusions (Jazzwise)
- Phronesis @ Ronnie Scott’s: communitarian virtuosi (Jazzwise)
- John McLaughlin @ Barbican: the fusioneer on fire (Jazzwise)
- Steve Reich’s Drumming @ Barbican: spiralling loops (JazzFM)
- Pharoah Sanders @ Ronnie Scott’s: natural revisits (JazzFM)
- Darbar 2016 @ Southbank: …before they hired me (JazzFM)
- Raga Jazz Style: reissue: unsung Indo-jazz (Música Macondo)
- Light Shadow Boom Boom: eclectic Derry jazz (Get in Her Ears)
- Alina Bzhezhinska @ LJF: lockdown sounds (Jazzwise)
- Alina Bzhezhinska @ Jazz Cafe: the reanimating scene (Jazzwise)
- Hip Harp Collective @ Ronnie’s: music and conflict (Jazzwise)
- Alina Bzhezhinska @ Pizza Express: in Soho for LJF (Jazzwise)
- Marcel Khalifé @ Barbican: Levantine experiments (Jazzwise)
- Sail from this Life – Queen Bonobo: rhapsodic jazz-folk (RJ)
- Vitor Pereira @ Pizza Express: Telecaster expositions (RJ)
• RAGATIP •
Regular series of quick articles for Ragatip, spanning various topics related to South Asian music and culture – folk & classical roots, modern fusions, historical & spiritual foundations, oddities, etc (from 2020)
—Profiles: quick bios of fascinating artists
- Dr. Gopal Shankar Misra and the ‘curious veena’
- Pandit Anokhelal Mishra’s total tabla dedication
- Kadri Gopalnath, ‘benevolent ruler’ of Carnatic sax
- Pandit Kishan Maharaj, Benares tabla powerhouse
- ‘Veena Baba’ Parvatikar, musical monk of the Himalayas
- Pandit Ram Sahai, legend of the Benares gharana
- Pandit Lacchu Maharaj, unheralded rhythmic genius
—Instruments: intros and sonic samples
- What should I expect from going to a Dhrupad concert?
- The sarangi: bowed instrument ‘of a hundred colours’
- How does the sitar work? What happens at a sitar concert?
- What is khayal? What happens at a khayal vocal concert?
- What should I expect from seeing a Carnatic singer?
- What is happening at a solo tabla performance?
- The santoor: North India’s magical, multi-stringed box
- The bansuri: the seductive powers of Lord Krishna’s flute
- The sarod: divine, devotional cousin of the banjo
- The Carnatic violin: sliding strings of South India
—Cultural: tales, snapshots, primers, etc
- How did Zakir Hussain end up living with the Grateful Dead?
- Why do Indian classical artists love board games so much?
- Tales of the tabla: The Emperor and the Red Fort Kayda
- Baul music: the spiritual songs of Bengal’s wandering bards
- Apocalyptic ambitions: Scriabin and the Himalayas
- Indian ‘protest music’: snapshots from North & South
- Rabindrasangeet: songs of Tagore, a broad-minded Bengali
- What is Sufism? Why is music so important to the Sufis?
- Qawwali: how euphoric Sufi chanting captured the world
- Joyful experiments: three snapshots of global Sufi music
- Heresy or progress? Electric instruments in Indian classical
- Early interchanges: How jazz thrived in 1920s India
- Kathak: the athletic mathematics of Indian dance
- Versatile vibrations: how the tabla can mimic anything
- Bharatanatyam: South India’s graceful, empathetic dance
- Marathi traditions: Abhang, Natya Sangeet, & Lavani
- Subcontinental sampling: in hip-hop to acid house
- Tappa music: romantic songs of the Punjabi camel riders
- Indian communities in Kenya: brief histories and sounds
- Bangla Kirtan: the veneration of Lord Vishnu goes global
- Rajasthani folk traditions: the Langas and the Manganiyars
- Gujarati folk dances for Navratri: Garba and Dandiya
- Siddi music: how African folk rhythms reached North India
- ‘Unity in music’: Thoughts from Subcontinental masters
- Music and wellness: a few insights from around the world
- Early explorers: Indian travellers in Britain (1600-1900)
- Community roots: origins of the UK’s Indian music scene
- Did Raag Parameshwari lead to Live Aid’s creation?
- Turn up the hype! South Asian musico-sporting moments
- Why oversimplify? 1: Charlie Chaplin, JFK, James Blunt, & co.
- Why oversimplify? 2: Kishori Amonkar – world-wary genius?
- Chutney music: Indo-Caribbean devotional dance fusions
—On camera: interviews & demos
- Santoor 101: unpacking the hundred-stringed box
- Kiranpal Singh interview: global classical santoor
- Shahid Abbas Khan interview: Sufi roots & fusions
• COLTRANEOLOGY •
John Coltrane left behind some cryptic, handwritten notes entitled ‘Scales of India’. I’ve been trying to work out which ragas they are, where he found them, and what he was doing with them… [out 2024]
- Trane’s ‘Scales of India’: decoding the puzzle of his handwritten raga notes – uncovering the mysterious tale with friends from the East & West
• ODDS & ENDS •
Musical breakdowns, interviews, speculations, early writings, etc
- Rhythm: Pattern in Time: Carnatic chapter for Wooden Books
- John McLaughlin interview: on Shakti’s 2020 reformation
- What is it about drummers? rock mythology vs. tabla tales
- Raga Jungle? Turntables, tablas, & talas: striking similarities
- Shakti’s ‘Remainder Bar’ rhythms: tricks for odd-time flow
- Harmony in dreams: what, how, why? early speculations
- Optimising Zoom for music lessons: tech tips for my students
- Bullshit Jobs: rhythm games vs. office boredom: R.I.P Graeber
- Global Ear: curious cultural interchange in Bristol (The Wire)
- Duality: Yussef Dayes profile for Jazzed launch show (Jazzed)
- Feature playlist: introducing 300+ Indo-Jazz classics (Jazzed)
- Interview: Aruna Sairam & Soumik Datta (Música Macondo)
- Interview: Jaubi on Lahore’s hip-hop scene (Música Macondo)
- Interview: Sarathy Korwar on Day to Day (Música Macondo)
- WhoSampled: sample finds: occasional global confluences
- Ian Ring’s All the Scales: Carnatic raga consultancy
• OUTSIDE MUSIC •
Before music I worked in systemic global dev activism, and also dragged myself through 5 corporate years (see Bullshit Jobs)
- Workplace Activism Handbook: pushing for radical change from within the private sector (v2 draft on request)
- Assorted global dev projects with GiveDirectly and GWWC, inc. speeches given at Harvard, UC Berkeley, & UCL
- ‘Zerotaxistan’: a liber-libertarian utopia (“Are you a morally bankrupt, ethically slack company, or a self-serving regulator?…”)
- Personal correspondence with Gary Otte (1971-2017), spanning his final five years on death row in Ohio (via Human Writes)
- Urbexing Bristol’s Railway Hotel: looking inside a long-derelict local landmark (photos & writeup for 28 Days Later forum)
- (…sadly, the local magazine which hosted some of my terrible teenage travel writing has long vanished from the web)









