S-R-G-m-P-D-nN-S Intimately connected to Indian national identity, Desh gives melodic direction to the famous patriotic anthem Vande Mataram, as well as soundtracking dozens of Rabindrasangeet. Associated with the second quarter of night, renditions tend towards the sweet and romantic, borrowing liberally from thumri, hori, and other folk forms. Re is prominent – and the raga […]
• Raag Desh •
• Raag Bihag •
S-R-G-mM-P-D-N-S Created via the artful grafting of tivra Ma onto a Bilawal-oriented base, Bihag contains a wealth of melodic possibilities. Long linked to late evening festivities, its meend-laden tendencies are explored with symmetrical articulations and fluid resolution phrases, guided by nuanced swara hierarchies which may display significant gharana-to-gharana variance. Swara-congruent with multiple ragas, including Chayanat, […]
• Raag Asavari •
S-rR-g-m-P-d-n-S An antique late morning raga, Asavari comprises two main variants: an older, Dhrupad-favoured ‘komal re’ form, and a more recent set of ‘shuddha Re’ offshoots. Both call for complex connective motions and expressive oscillations on dha, which may be tuned ati-komal. Classical ragmala paintings often depict Asavari as a female snake-charmer sitting atop a […]
• Raag Khem Kalyan •
S-R-G-mM-P-D-N-S A rare-but-charming raga of the Agra gharana, Khem Kalyan is a Kalyan variant with Hansadhwani-like touches. Deepak Raja recounts decoding its phraseology from old recordings, having failed to find a guru who knew it: “This was no ordinary raga…not even just another rare raga. It was a special raga, perhaps beyond reach without a […]
• Raag Bheem •
S-R-gG-m-P-D-n-S Near-identical to Gaoti, Bheem is distinguished by its allowance of komal ga in taar saptak. Tanarang notes that “in uttarang, komal ni is always rendered [via a] meend from Sa, as a kanswar like GmP, (S)nS…Similarly in Avroh, ni is generally skipped like SP/DP“. The vakra GmRS is taken instead of mGRS. (n.b. Parrikar notes the […]
• Raag Arun Malhar •
S-R-G-m-P-D-nN-S An ancient Malhar variant, marked out by a DDnPDGPm pakad. As per Rajan Parrikar, “although it finds a mention in [Bhatkhande], no details are forthcoming. There are a couple of other works where the raga is treated, but again only in the sketchiest of terms”. Described as a mix of Bilawal, Gaud Malhar, and […]
• Raag Tilak Malhar •
S-R-G-m-P-D-nN-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Ramashreya Jha ‘Ramrang’ (2007)— [bandish, e.g. 0:56] SRP(DnPmG), GRS, GR, GR(GRSR)mGRS, SRP(DSPmG), GRS, GR… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 […]
• Raag Sorath •
S-R-G-m-P-D-nN-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Gurmeet Singh Shant (2021)— [refrain, e.g. 1:06] Gm\SRGPN, NNS(RS) n\D(P)P; Gm\SRGPN, NNS(RS) n\D(P)P; Gm\SRGPN… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 […]
• Raag Sanjh Saravali •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Vilayat Khan (2000)— [gat, e.g. 0:34] (G)P, (P)G, (G)R G, G(m)G, (RN)S, N R G M, M(DP) G, S, N, NS, N(Sn)DP, DP, PD(NS), (G)P, (P)G… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & […]
• Raag Rageshri Kanada •
S-R-gG-m-P-D-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Rahimuddin Khan Dagar (1990)— [alap, e.g. 0:05] (n)S, (D)S, n(SnSnS)S, (S)GR(GR) SS, SR(Gg)G, G(g)R S, DR (Sn)DnS(nD), G, S(n)S G, (nSn)S S, n(Sn) S(nSDP), mmGG, GmP (S)n S(n), S(nD) (nR)S, (R)S R(nSPn) n(DP), PmmG, GmP (PS)n, (SnSn)n S… • Classifiers • […]
• Raag Pat Bihag •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Yunus Hussain Khan (1998)— [refrain, e.g. 1:35] (PM)P (PM)DP, P/N(SNSN), (NDN)D/S (NS), D(NSNSRNS)N, D(ND) P(DP)G (P)m, Gm, Gm(GPm) m(G)G, R, S… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full […]
• Raag Neelambari •
S-R-gG-m-P-D-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Omkarnath Thakur (~1960s)— [Swaras] • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+ Sapta: Audav […]
• Raag Nand (Anandi) •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Budhaditya Mukherjee (2019)— [gat, e.g. 1:29] SGm/D D(PMP), (G)RR S, (N)S, G, G (P)mG (G)P, P(GP) P(MP) D(PMP), GmP D(NPDN) N(DP) D(M) P(MP), P(G)Gm/D(PMP), (G)RR S, S G… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, […]
• Raag Nagadhwani Kanada •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Pandit Jasraj (1977)— [bandish, e.g. 0:58] P(nPn) m(Pm) m(Pmn) n(Pm) g(mgSn) nS, m\g m m(gm)P (m)gm, n(P)P; n(Pm)g g(Pm) m(g)m, m(g) n(S), mmm m(n)P m(g)m; P P/RR, S N(SN)S, D(nDnSnSR) R(SNSnDnDPD)G, (G)P D n S… • Classifiers • Explore hidden inter-raga […]
• Raag Maru Bihag •
S-R-G-mM-P-D-N-S Despite its A-list status (Deepak Raja’s Ragascape research lists it as the 13th most-performed raga), Maru Bihag is a relatively recent invention, at least in its own right – Parrikar notes that “Thakurdas speaks of an older Raag Maru as its progenitor…[but] the Maru Bihag in currency is widely acknowledged to be a product […]
• Raag Malgunji •
S-R-gG-m-P-D-n-S Roughly describable as a ‘Khamaj–ang Bageshri with a Rageshri-like shuddha Ga in aroha’, Malgunji is a multicoloured form, beloved by Gwalior vocalists (as well as Maihar sitarist Nikhil Banerjee). Some artists also feature a vivadi of shuddha Ni (often as mDNS, likely indicating the influence of Gara). Tanarang, aiming to evoke a “deep atmosphere”, […]
• Raag Lankeshwari •
S-R-gG-m-P-D-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Fareed Hassan (2020)— [Swaras] • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+ Sapta: Audav […]
• Raag Lakshmi Kalyan •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Deepak Kshirsagar (2019)— [alap phrases, e.g. 4:56] G\R(GR) P\M(PM), (P)MP/N N(DP), R(MR)P (M)P/S\N, S(NSN)S, (M)P/N\S, S S, S(NS), P/S(NSN)R, R R, P/S(NSN)R S(NS) N, P(MPM)D M(PMPM)m(G), G(mGmG)… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, […]
• Raag Kukubh Bilawal •
S-R-G-m-P-D-nN-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Ulhas Kashalkar (1993)— [alap, e.g. 0:05] G, m(GR) (GR)G (RS)S, S\n D P, (P)N, (N)S; (NS)G G mGR(GR)G RS(NRS), (NS)G mm, mG (GmG)P PP, D(P) D(P) (DP)D Pmm G(mGRG), G(RGmG)PmG mG(m)R, (SNRSN)S… • Classifiers • Explore hidden inter-raga connections: swara geometries, […]
• Raag Kamod •
S-R-G-mM-P-D-N-S An intricate raga which draws together elements from many others (Tanarang: “this dynamic melody is rather complex…one can see clear shadows of Malhar [SmRP], Hameer [GmDP], and Kalyan [SRS, SDP], together with glimpses of Kedar [MPDP] and Chayanat [PDPS, SRS]”). Distinguishing sequences include RRP, GmPGmRS, the taar Sa is accentuated with long P/S slides, […]
• Raag Hanskinkini •
S-R-gG-m-P-D-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Soumik Datta (2018)— [gat, e.g. 12:04] PPnn D(n)PP, SGmP, (m)g RR(S)nS… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 | 7 | […]
• Raag Hameer •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Budhaditya Mukherjee (2017)— [gat, e.g. 0:42] (P)MPD, (P)MPG, RRGm N\D, (N)D, P, (P)MP P(SNS), N(SNS)D P(MP), P(G)R R(GmDPMP), (P)G/mR S, (P)MPD, (P)MPG, RRGm N\D… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also […]
• Raag Gaud Sarang •
S-R-G-mM-P-D-N-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Kumar Mardur (2014)— [alap phrases, e.g. 0:06] (RSPMD)P(MP) P(MPMD) P(MP)m G, S(NSN)G (m)G (m)GRG (mGRGR)m G(mG), P(mGPG)P (M)P… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 […]
• Raag Gandhari Todi •
S-rR-g-m-P-d-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —V.R. Athavale (1988)— [Swaras] • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+ Sapta: Audav […]
• Raag Gandhari •
S-rR-g-m-P-d-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Shashwati Mandal (2017)— [refrain, e.g. 4:09] P(d)P/S SS\d PP(d) m(G)m P mP; P(d)P/S SS\d PP(d) m(G)m P(d) mP; P(d)P/S SS\d PP(d) m(G)m P(mRmR) mP(mP)dP… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also […]
• Raag Devgiri Bilawal •
S-R-G-m-P-D-nN-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Ramashreya Jha ‘Ramrang’ (1989)— [Swaras] • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+ Sapta: […]
• Raag Des Malhar •
S-R-G-m-P-D-nN-S A well-established fusion of the pastoral-themed Desh and the rain-bringing Malhar, spanning the full swara sets of both via characteristic movements such as RmP, PNSRmGR; mPnDP, PNS. Steadily popular with both instrumentalists (e.g. Ali Akbar Khan’s many renditions) and singers (e.g. the Bodas clan’s duets). Dinkar Kaikini’s daughter Aditi Upadhya recounts the inspiration behind the […]
• Raag Deepak •
(S-R-G-m-P-D-nN-S) Strictly speaking, Deepak is a ‘lost raga’, known to us through its status as Tansen’s fabled fire-bringing melody – said to have set off uncontrollable blazes when he sung it with full force at Emperor Akbar’s royal palace (…and requiring Megh to extinguish it). But, while its original swaras have been lost to the […]
• Raag Chayanat •
S-R-G-mM-P-D-N-S A longstanding combination of Chaya and Nat, creating (as per Tanarang) an “attractive, sweet, and emotionally swaying” mood – the latter in particular summoned via ‘simple vakra’ phrases such as DNDP; RGRS. The Pa–Re sangati is vital, and shuddha ma is stronger than tivra Ma – with the raga inviting a range of expressive […]
• Raag Champak •
S-R-G-m-P-D-nN-S A seldom-heard neighbour of Khambavati, distinguished (often very subtly) by stronger use of shuddha ma, and sometimes involving a Gm\S catchphrase. Both ni swaras are used, with the komal introduced via vakra avroh motions (e.g. SRn). Named after a huge evergreen tree species with fragrant yellow-orange flowers, used in perfumery and featured in many […]
• Raag Bihagda •
S-R-G-m-P-D-nN-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Ulhas Kashalkar (2000)— [refrain, e.g. 3:57] (PmP)Gm P\G, G(mG)m, Gm(G)m/n D(nD)P, DP(P)DPm, mPGG, (SR)N (N)S, (GPGDP) P(GP)S… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List): Swaras: -4 | […]
• Raag Bihagara •
S-R-G-m-P-D-nN-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Ashwini Bhide-Deshpande (2016)— [refrain, e.g. 2:17] SGm P/N N(RSNS) N DP, P(mP)G; SGm P/N N(RSNS) N DP, P(mP) G(mP)G; SGm P/N N(RSNS) N DP… • Classifiers • Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also […]
• Raag Bahaduri Todi •
S-rR-g-m-P-d-n-S [summary] • Raga Megalist (365+) • Search | Glossary | Tags • Hindustani Raga Index • —Mallikarjun Mansur (~1990s)— [bandish, e.g. 0:01] R, nS Rg(gRgm), m m, m\gP Pmgg, g\r(g)SS, SR/g\rr, r r(g)SS, (S)r nS, S(r)SR(g)rr, S\n\d(nd), n(dnd), d mm, m\gP, m(d) P(nd)d, d(P)P, mP, mPm(g)g, gm mP, Rg SR, nSRg (gRg)m m\gP… • Classifiers • Explore […]
• Raag Alhaiya Bilawal •
S-R-G-m-P-D-nN-S While essentially summarisable as ‘Bilawal plus komal ni’, Alhaiya also presents other quirks. Most distinctively, Dha is treated as the vadi, but not as a nyas (Pa and Ga are used as stopping tones instead, often being reached via meend). Dha is also used to support komal ni via ‘up-and-down’ phrases such as SNDP, […]
