S-R-gG-m-P-D-n-S
Near-identical to Gaoti, Bheem is distinguished by its allowance of komal ga in taar saptak. Tanarang notes that “in uttarang, komal ni is always rendered [via a] meend from Sa, as a kanswar like GmP, (S)nS…Similarly in Avroh, ni is generally skipped like SP/DP“. The vakra GmRS is taken instead of mGRS. (n.b. Parrikar notes the existence of a separate Kafi-thaat Bheem.)
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—Veena Sahasrabuddhe (1999)—
[refrain, e.g. 0:02] D PmP, P/S, S\n (S)n, S(nP) D(PD), D PmP, P/S…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-gG-m-P-D-n-S
• Reverse: SRgmPdDnS (=none)
• Inverse: Ni; SRPDS (=none)
• Imperfect: 1 (Ga)
• Detached: none
• Symmetries: mirror (gG—Dn)
• Murchanas: Bihag set
–Global Translations–
• Carnatic: ~Dwijavanthi
S-R2-G2-G3-M1-P-D2-N2-S
• Jazz: Bebop Dorian (dbl. 3rd)
1-2-b3-3-4-5-6-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-4-5-7-9-10-0
(2–1–1–1-2–2–1–2)
o • o o o o • o • o o • o
• Tanpura: Sa–Pa
• Names: Bheem, Bhim (~Gaoti)
—Munshi Raziuddin & Fareed Ayaz (1988)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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