S-rR-g-m-P-d-n-S
[summary]
• Raga Megalist (365+) •
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• Hindustani Raga Index •
—Mallikarjun Mansur (~1990s)—
[bandish, e.g. 0:01] R, nS Rg(gRgm), m m, m\gP Pmgg, g\r(g)SS, SR/g\rr, r r(g)SS, (S)r nS, S(r)SR(g)rr, S\n\d(nd), n(dnd), d mm, m\gP, m(d) P(nd)d, d(P)P, mP, mPm(g)g, gm mP, Rg SR, nSRg (gRg)m m\gP…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-rR-g-m-P-d-n-S
• Reverse: SRGmPDnNS (=Desh)
• Inverse: Ni; SmPnS (=none)
• Imperfect: 1 (Re)
• Detached: none
• Symmetries: mirror (rR—Pd)
• Murchanas: Bihag set
–Global Translations–
• Carnatic: ~Ghanta
S-R1-R2-G2-M1-P-D1-N2-S
• Jazz: Phrygiolian
1-b2-2-b3-4-5-b6-b7-8
• Pitch classes (‘fret-jumps’):
0-1-2-3-5-7-8-10-0
(1–1–1–2–2–1–2–2)
o o o o • o • o o • o • o
• Tanpura: Sa–Pa
• Names: Bahaduri Todi
—Ram Deshpande (2022)—