S-R-g-m-P-d-n-S
Jaunpuri is a late morning raga, likely originating in the Sultanate-era music of Jaunpur in Uttar Pradesh. Rajan Parrikar describes it as an “Asavariant”, closely tied to the phraseologies of the Asavari family: some see the ragas as indistinguishable, while others consider Jaunpuri to take more ‘rounded’ melodic shapes, and permit greater use of ni in both directions. Adopted into Carnatic music as ‘Jonpuri’ – and also turns up on a couple of ultra-early Hindustani recordings (Gauhar Jan in 1902 & Abdul Karim Khan in 1905).
• Raga Megalist (365+) •
Search | Glossary | Tags
• Hindustani Raga Index •
Aroha: SRmPdnS
Avroh: R(S)ndP, dmPgRS
Chalan: e.g. nSR(n)dS; (m)RmP; (n)dP; dmP(m)gRS; (m)RmP(n)dS; nSR(n)dP; mPS(n)dP; mPmdP; ndP; dmP(m)g; (S)RS (Bor/Dasgupta)
—Kushal Das (2021)—
[jor phrases, e.g. 2:17] d(nd)/S, S, S SSS…, S(ndPm) R, m PmP/n(d)P, n\d/S; R(SR) R R, RRgR(g)R n/S\n, (S)R R R(Sn); n S, d S, P g R R, S(g)…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Asavari thaat, Asavari (shuddha Re), Darbari, Kaunsi Kanada, Adana, Sampurna Malkauns
–Swara Geometries–
• Core form: S–R–g–m–P–d–n–S
• Reverse: SRGmPDnS (=Khamaj)
• Negative: 2-3-2-3-2 (e.g. Megh)
• Imperfect: 1 (Re)
• Detached: none
• Symmetries: mirror (m—N)
• Murchanas: Bilawal set
• Quirks: ‘maximal‘ (swaras are optimally ‘spread out’)
–Global Translations–
• Carnatic: Jonpuri
S-R2-G2-M1-P-D1-N2-S
• Jazz: Natural Minor / Aeolian
1-2-b3-4-5-b6-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-5-7-8-10-0
(2–1–2–2–1–2–2)
o • o o • o • o o • o • o
• Tanpura: Sa–Pa (+dha)
• Names: Jaunpuri, Jonpuri, Jivanpuri, Jeevanpuri, ~Shuddha Re Asavari
—Kishori Amonkar (2000)—