S-R-g-m-P-d-n-S
Jaunpuri is a late morning raga, likely originating in the Sultanate-era music of Jaunpur in Uttar Pradesh. Rajan Parrikar describes it as an “Asavariant”, closely tied to the phraseologies of the Asavari family: some see the ragas as indistinguishable, while others consider Jaunpuri to take more ‘rounded’ melodic shapes, and permit greater use of ni in both directions. Adopted into Carnatic music as ‘Jonpuri’ – and also turns up on a couple of ultra-early Indian recordings (Gauhar Jan in 1902 & Abdul Karim Khan in 1905).
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—Kushal Das (2021)—
[jor phrases, e.g. 2:17] d(nd)/S, S, S SSS…, S(ndPm) R, m PmP/n(d)P, n\d/S; R(SR) R R, RRgR(g)R n/S\n, (S)R R R(Sn); n S, d S, P g R R, S(g)…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-g-m-P-d-n-S
• Reverse: SRGmPDnS (=Khamaj)
• Inverse: Ni; SRmPnS (=Megh)
• Imperfect: 1 (Re)
• Detached: none
• Symmetries: mirror (m—N)
• Murchanas: Bilawal set
–Global Translations–
• Carnatic: Jonpuri
S-R2-G2-M1-P-D1-N2-S
• Jazz: Natural Minor / Aeolian
1-2-b3-4-5-b6-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-5-7-8-10-0
(2–1–2–2–1–2–2)
o • o o • o • o o • o • o
• Tanpura: Sa–Pa (+dha)
• Names: Jaunpuri, Jonpuri, Jivanpuri, Jeevanpuri, ~Shuddha Re Asavari
—Kishori Amonkar (2000)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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