S-R-g-m-P-d-n-S
Though congruent with the swaras of Darbari, Adana favours a “lighter, flittering” treatment: skipping ga in aroha, limiting ornaments on dha, and focusing more on madhya/taar saptak (although the gmRS Kanada signature may reappear in avroh), while some may assign a higher sruti to the komal ni. The raga appears in several 17th-century ragmala paintings, with recurring imagery of ascetics lost in meditative pose.
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Aroha: SRmPnP, mPnS
Avroh: SdnP, gmRS
Chalan: e.g. PnmP; PSdnP; nmPgmRS; nSRmPnP; mPnSRS; RnSdnP; mPS (Bor/Dasgupta)
—Buddhadev Dasgupta (1999)—
[gat, e.g. 1:27] Sn\dn, PmP, ggmP, gmRS, nS(m\)R, mP(S\)n, ngR, SgR, nSPnmP, Sn\dn, P…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Asavari thaat, Asavari (shuddha Re), Darbari, Kaunsi Kanada, Jaunpuri, Sampurna Malkauns
–Swara Geometries–
• Core form: S–R–g–m–P–d–n–S
• Reverse: SRGmPDnS (=Khamaj)
• Negative: 2-3-2-3-2 (e.g. Megh)
• Imperfect: 1 (Re)
• Detached: none
• Symmetries: mirror (m—N)
• Murchanas: Bilawal set
• Quirks: ‘maximal‘ (swaras are optimally ‘spread out’)
–Global Translations–
• Carnatic: ~Natabhairavi
S-R2-G2-M1-P-D1-N2-S
• Jazz: Natural Minor / Aeolian
1-2-b3-4-5-b6-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-5-7-8-10-0
(2–1–2–2–1–2–2)
o • o o • o • o o • o • o
• Tanpura: Sa–Pa (+Pa)
• Names: Adana (Kanada), Adaana, Adhana
—Shubha Mudgal (2002)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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