• Raag Gunji Kanada •

S-R-gG-m-P-d-n-S


A Gwalior gharana favourite which blends Malgunji and Kaunsi Kanada, principally via inserting the former’s catchphrase of RnSRG, Gm (also found in Dev Gandhar) into the broader Kanada framework – although some sources also cite vital influences from Adana and Bahar (e.g. mDnS). Modern renditions tend to take the komal dha, although a shuddha Dha variant has also circulated in the recent past (also turning up as an ornamental kanswar in other renditions). Ocean of Ragas lists it as a creation of pioneering vocalist and educator Vishnu Digambar Paluskar (1872-1931), with only a handful of other artists having added it to their concert repertoire over the years since (notably including Ali Akbar Khan, Nikhil Banerjee, Pandit Jasraj, & Purbayan Chatterjee). Also hear Gunjikauns.


• Raga Masterlist (1000+) •
राग गूंजी कनाड़ा
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• Hindustani Raga Index •

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—Pandit Jasraj (1994)—


[refrain, e.g. 3:10] R(Sn) S(nS) R(SR) G(RG), RGm(G) m(G), m(GmP)m\g (mgmgR)R, S(Rgm) RSR S(nS), (mgRSndnSn)SnS n\d dnP, P(dSn)S ndnS, dnSR…

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• Recent Raga Index Updates (Sep 2026): Melodic ‘snapshots’ of prachalit ragas • Up to 365 raga pages! Some highlights: Bayati, Basant Mukhari, Bilaskhani Todi, Chandranandan, DoGa Kalyan, Jog, Kalavati, Kaushiki, Malkauns, Maru, Meladalan, Parameshwari, Sarangkauns, Vachaspati (+ try out ‘Audav Meladalan‘) • What does ‘Kauns’ mean? Analysing 60+ Kauns ragas • ‘Bifurcations‘: ‘poorvang vs. uttarang’ splits • Amir Khan’s ‘168 merukhands’ • Experiments (e.g. overtonal Bhairav, jazz Malkauns) • Survey of Sa Tunings • More Masterlist ragas (1000+)

Salaman (Toumani Diabaté & Ballaké Sissoko): I’ve loved this composition since ripping it from a Frome Library CD when I was 14... Originally performed by the legendary kora duet on their ‘New Ancient Strings’ album, Based on ‘Tita’, a love song from Western Mali (...the b6 has a ‘between minor and major’ tuning...handled here with a messy bend)

And if you like this stuff then check out Derek Gripper, the true master of arranging Toumani Diabaté for the guitar! @derek_gripper 

#kora #worldmusic #mali #africanmusic #guitarsolo @toumanidiabatemusic @ballake.sissoko
Raag Jog: exploring different ways the electric guitar can support a Dhrupad-ang nomtom (syllabic improvisation)...

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace

#dhrupad #raga #indianmusic #icm #worldmusic
Raag Kafi: Electric guitar improv around the adha bandish ‘Aaj Khel Shaam Sang Hori’

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace

#raga #indianmusic #icm #worldmusic #ragaguitar
Raag Jog: some sawal-jawab (‘question-answer’) fun with Marc Clayton on tabla

(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace 

#raga #indianmusic #icm #worldmusic #ragaguitar

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

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• Prakriti: Dev Gandhar, Gunjikauns
Also compare to other members of the Kanada raganga

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–Swara Geometries–

• Core form: S–R–gG–m–P–d–n–S
• Reverse: SRGmPdDnS
• Complement: SrMDNS
• Imperfect: 2 (Re, Ga)
• Detached: 1 (Ga)
• Symmetries: none
• Murchanas: Miyan ki Malhar set

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–Global Translations–

• Carnatic: (~Basant Bahaar)
S-R2-G2-G3-M1-P-D1-N2-S
• Jazz: Aeolian (dbl. 3rd)
1-2-b3-3-4-5-b6-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-4-5-7-8-10-0
(2–1–1–1–2–1–2–2)

o • o o o o • o o • o • o


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• Tanpura: Sa–Pa
• Names: Gunji Kanada, Gunji Kannada
• Transliterations: Hindi (गूंजी कनाड़ा)

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—Ali Akbar Khan (~1980s)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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