• Raag Jait Kalyan •

S-R-G-P-D-S


A Bhupaliprakriti raga which blends Jait with the Kalyan-ang, retaining the former’s strong PaSa sangati amidst descending lines from the latter such as DP(G)RS. Re may be played weakly in aroha, rendering sections of the raga surtar, while glides of (D)G and (P)G are frequent. Seemingly introduced to the ragascape by Jaipur-Atrauli founder Alladiya Khan – and remains rare today, likely due to the challenge of differentiating its swara set from Bhupali and Deshkar (refer to a K.G. Ginde breakdown of their differences, as well as Manjiri Asanare-Kelkar’s demo lesson).


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Aroha: SRGP, DS
Avroh: SDP, GPRS

Chalan: signatures, e.g. PDGP; DPRS; SP; SP, DPRS (Ginde)

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—Mallikarjun Mansur (1968)—


[refrain, e.g. 0:40] SS S/P(G), SGP(GS)G (P)G P(GD)P, (GS)G RS, (PDP)D, SDP, P/SS, SS S/P(G)…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

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• Prakriti: Bhupali, Deshkar, Pahadi

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–Swara Geometries–

Core form: SRGPDS
Reverse: SgmdnS (=Malkauns)
Negative: 2-2-2-1-2-2-1 (e.g. Yaman)
Imperfect: 1 (Ga)
Detached: none
Symmetries: mirror (R—d)
Murchanas: Bhupali set

Quirks: ‘atritonal‘ (no available tritones) • maximal‘ (swaras are optimally ‘spread out’)

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–Global Translations–

Carnatic: ~Mohanam
S-R2-G3-P-D2-S
Jazz: Major Pentatonic
1-2-3-5-6-8
Pitch classes (‘fret-jumps’):
0-2-4-7-9-0
(2–2–3–2–3)

o • o • o • • o • o • • o


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• Tanpura: Sa–Pa
• Names: Jait Kalyan, Jeth Kalyan, Jayat Kalyan

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—Manjiri Asanare-Kelkar (2020)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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