S-R-G-m-P-D-N-S
Dagori draws from Bilawal thaat, featuring prominent use of shuddha Ni and characteristic slides and glides between ma and Re. Seemingly invented by Jaipur-Atrauli gharana founder Alladiya Khan (and still near-exclusively performed by the khayal singers of that tradition), some seem to classify the raga as a Bilawal–ang interpretation of the now-lost Deepak (Tansen’s legendary fire raga). Further information welcome!
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—Manjiri Asnare-Kelkar (2012)—
[bandish, e.g. 1:44] (S)m P, P/N(SN)S, DPm, m\R, (S)m\R, S(GR)N, (S)mPNS, DPm, m\R, RN, S…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Bilawal thaat, Shukla Bilawal, Tilak Kamod, Nat, Hem Bihag, Bihari, Savani, Swanandi, Gagan Vihang, Maluha, Mand, Chaya Malhar, Hemant, Manjari Bihag
–Swara Geometries–
• Core form: S–R–G–m–P–D–N–S
• Reverse: SrgmPdnS (=Bhairavi)
• Negative: 3-2-3-2-2 (e.g. Malkauns)
• Imperfect: 1 (Ni)
• Detached: none
• Symmetries: mirror (R—d)
• Murchanas: Bilawal set
–Global Translations–
• Carnatic: ~Nalinakanthi
S-R2-G3-M1-P-D2-N3-S
• Jazz: Major / Ionian
1-2-3-4-5-6-7-8
• Pitch classes (‘fret-jumps’):
0-2-4-5-7-9-11-0
(2–2–1–2–2–2–1)
o • o • o o • o • o • o o
• Tanpura: Sa–Pa
• Names: Dagori, Bilawal-Dagori, (~Deepak)
—Shruti Sadolikar (1990)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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