Nat | Hindustani Raga Index | Rāga Junglism

S-R-G-m-P-D-N-S

[summary]

—Ulhas Kashalkar (2015)—

[Swaras]

• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

• Core form: S-R-G-m-P-D-N-S

• Reverse: SrgmPdnS (=Bhairavi)

• Inverse: ni; SgmdnS (=Malkauns)

–Global Translations–

S-R₂-G₃-M₁-P-D₂-N₃-S

1-2-3-4-5-6-7-8

• Pitch classes (‘fret-jumps’):

0-2-4-5-7-9-11-0

(2–2–1–2–2–2–1)

o • o • o o • o • o • o o

• Names: Nat, Nata, Nut, Shuddha Nat, Suddha Nat

—Mallikarjun Mansur (1980s)—

[MORE TO FOLLOW]

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—Riyaz-focused notations & bandish—

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• Hindustani Raga Index •

An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more! [out 2023]

—Megalist (365+ ragas)—

• Search: Find your new favourite •

• Tags: Classifying the ragascape •

• Glossary: Raga jargon demystified •

• Ragatable: Analytical connections •

• Thaat: Bhatkhande’s base scales •

• Murchanas: Swara-set rotations •

• Quotes: Musings from raga artists •

• Tanpuras: Divine overtonal drones •

• Talas: Hindustani rhythm cycles •

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

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