S-R-g-m-D-S
The Carnatic-imported Abhogi is a rare ‘audav Kanada’ raga – somewhat resembling ‘Darbari no Pa/ni’ (or, if the mgmRS Kanada signature is de-emphasised, ‘Bageshri aroha no ni’). As per Tanarang, the raga’s capacity for Darbaric poorvang movements “creates a deep atmosphere…[which] can be expanded in all the three octaves” – while the ultra-sparse uttarang (MPdDnN) presents a curious creative challenge. Often classed as a night raga.
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• Hindustani Raga Index •
—Premkumar & Prashant Mallick (2014)—
[layered phrases, e.g. 1:33] mgRS\D, mgmDS, gRgmD, S\D S\m S\D, S(\D)S, S SS; S\D S/R m\g…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-g-m-D-S
• Reverse: SgPDnS (=none)
• Inverse: Ni; SRmPdDNS (=none)
• Imperfect: 3 (Sa, ga, Dha)
• Detached: 1 (ga)
• Symmetries: none
• Murchanas: Kalavati set
–Global Translations–
• Carnatic: Abhogi
S-R2-G2-M1-D2-S
• Jazz: Dorian (no 5th/7th)
1-2-b3-4-6-8
• Pitch classes (‘fret-jumps’):
0-2-3-5-9-0
(2–1–2–4–3)
o • o o • o • • • o • • o
• Tanpura: Sa–ma (+Dha)
• Names: Abhogi (Kanada), Abhogi Kannada, Abogi
—Hariprasad Chaurasia (1999)—