S-r-G-m-P-dD-nN-S

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[summary]

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• Raga Megalist (365+) •

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• Hindustani Raga Index •

—Mallikarjun Mansur (1968)—

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[bandish, e.g. 0:02] mP (dn)d/r S, (N)Sdm, mP (P)G, Gm (r)Sr (G)m, mP P, (S)dm (Gm)P G, GmPm G\r S(rS)S, (mG)m mP P, P(dP)N\P PP(dP)d m, m(Gm)P PG(PG)mm, mP(dP)d/r S, S\d mP Gm (r)Sr (G)m…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

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Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

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Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

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• Core form: S-r-G-m-P-dD-nN-S

• Reverse: SrRgGmPdNS (=none)

• Inverse: Ma; SdDS (=none)

• Imperfect: 3 (Pa, dha, Ni)

• Detached: none

• Symmetries: none

• Murchanas: none

–Global Translations–

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• Carnatic: (~Ekakshari)

S-R₁-G₃-M₁-P-D₁-D₂-N₂-N₃-S

• Jazz: Double Harmonic (dbl. 6th/7th)

1-b2-3-4-5-b6-6-b7-7-8

• Pitch classes (‘fret-jumps’):

0-1-4-5-7-8-9-10-11-0

(1–3–1–2–1–1–1–1–1)

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o o • • o o • o o o o o o

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• Tanpura: Sa–Pa

• Names: Kabiri Bhairav, Kabeeri Bhairav

—Aditya Khandwe (2011)—