S-rR-G-P-D-S
A charming audav raga with several disparate branches. In particular, the treatment of Re varies (some render it komal, and others shuddha, while Jaipur-Atrauli singers employ both forms) – with Dha, which must be taken vakra, also showing up in both its variants (albeit not within the same performance). Indeed, even renditions by the same artist may vary according to the hour: as per Hariprasad Chaurasia, probably the raga’s most prominent modern interpreter, “Jait is the only [raga] which is played in both the morning and evening: in the morning, it is based on Bibhas, and in the evening, it is based on Marwa”. Despite these explicitly-stated similarities, Jait is distinguished from both ragas by a stronger use of Pa over Dha (e.g. S\P; PDGP; PDPS). Also see the overlapping Jait Kalyan.
• Raga Masterlist (1000+) •
राग जयत
Search | Glossary | Tags
• Hindustani Raga Index •
Aroha: SrGPDS / SRGPDS
Avroh: SDPGrS / SDPGRS
Chalan: e.g. SGPGP; PDGP; PDPS; SrS; SP; PDGP; PGrS (Parrikar)
—Hariprasad Chaurasia (2010)—
[alap, e.g. 5:33] G, G\r, DSr PD, rS(D), S(rSD) S(r)r, m\r, (S)r (S)r, mrS, rG, S(D)D GrGr SrS, DSD PD(SDP), G, PDSrDSr G, SrG, G\rS…
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Salaman (Toumani Diabaté & Ballaké Sissoko): I’ve loved this composition since ripping it from a Frome Library CD when I was 14… Originally performed by the legendary kora duet on their ‘New Ancient Strings’ album, Based on ‘Tita’, a love song from Western Mali (…the b6 has a ‘between minor and major’ tuning…handled here with a messy bend)
And if you like this stuff then check out Derek Gripper, the true master of arranging Toumani Diabaté for the guitar! @derek_gripper
#kora #worldmusic #mali #africanmusic #guitarsolo @toumanidiabatemusic @ballake.sissoko
Sep 2
Raag Jog: exploring different ways the electric guitar can support a Dhrupad-ang nomtom (syllabic improvisation)…
(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace
#dhrupad #raga #indianmusic #icm #worldmusic
Jun 28
Raag Kafi: Electric guitar improv around the adha bandish ‘Aaj Khel Shaam Sang Hori’
(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace
#raga #indianmusic #icm #worldmusic #ragaguitar
Jun 22
Raag Jog: some sawal-jawab (‘question-answer’) fun with Marc Clayton on tabla
(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace
#raga #indianmusic #icm #worldmusic #ragaguitar
Jun 15
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: (none found)
Also see other ragas matching the generic swaras ‘Sa-Re-Ga-Pa-Dha‘
–Swara Geometries–
• Core form: S–rR–G–P–D–S
• Reverse: SgmdnNS (=Tulsikauns)
• Complement: SgmMdnNS
• Imperfect: 2 (re, Ga)
• Detached: 1 (re)
• Symmetries: none
• Murchanas: Jog set
–Global Translations–
• Carnatic: (~Mohanam)
S-R1-R2-G3-P-D2-S
• Jazz: Major Pentatonic (dbl. 2nd)
1-b2-2-3-5-6-8
• Pitch classes (‘fret-jumps’):
0-1-2-4-7-9-0
(1–1–2–3–2–3)
o o o • o • • o • o • • o
• Tanpura: Sa–Pa
• Names: Jait, Jayat, Jeth, Jetha
• Transliterations: Hindi (जयत); Bengali (জয়ত)
—Ravi Shankar & Partho Sarothy (1993)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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