S-R-G-P-D-N-S
[summary]
• Raga Megalist (365+) •
Search | Glossary | Tags
• Hindustani Raga Index •
—Abhijith Shenoy ‘Abhirang’ (2020)—
[bandish, e.g. 2:55] S S(GRGRSR)G, (GRG)RS S(RG), G(RSR)S N(DP), N(DND)S, PN SR(GRSRGRS) S(RGR), G(PGPG)PP, PN S(GRGRSNS)S, N(P)P/S(NS)P PG, G(PGP)R, SS(RGPDP)D, P(DPDPGRSR) G(PG), S(GRGRSR)G, RS S(RG), G(RSR)S N(DP), N(DS)…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-G-P-D-N-S
• Reverse: SrgmdnS (=Lankeshri Kanada)
• Inverse: ni; SgmPdnS (=Gopika Basant)
• Imperfect: 1 (Ni)
• Detached: none
• Symmetries: mirror (mM—NS)
• Murchanas: Shankara set
–Global Translations–
• Carnatic: Shankaramohana
S-R2-G3-P-D2-N3-S
• Jazz: Major/Ionian (no 5th)
1-2-3-5-6-7-8
• Pitch classes (‘fret-jumps’):
0-2-4-7-9-11-0
(2–2–3–2–2–1)
o • o • o • • o • o • o o
• Tanpura: Sa–Pa
• Names: Kesari Kalyan, Kesara Kalyana
—Ramashreya Jha ‘Ramrang’ (2000s)—