S-R-g-M-P-D-N-S
A creation of vocalist Ramashreya Jha ‘Ramrang’, named in honour of Lord Hanuman. As per his student Rajan Parrikar, “the basic idea involves rendering the aroha of Madhuvanti sampurna, by taking in both [shuddha] Re and Dha. The aroha contour thus…permits the advance of Kalyan-like clusters”. Abhirang’s rendition of Ramrang’s bandish (below: Hanana Hanumana Manake) features strong meend on ga, Ma, & Dha (which, with Sa, form a ‘diminished square’: S–g–M–D). Congruent with the Carnatic Dharmavati.
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—Abhijith Shenoy ‘Abhirang’ (2020)—
[bandish, e.g. 4:09] (DM)PMgM PD S(NS)DP, P(DN) D(PM)P, PMgP, PD S(NDNS)DP, P(DPDNSND), (P)MgR/gS S(RN), NNS, DNSRgM P(DP), (DP)MgR/gS S(RN), NNS, DNSRgM P(DP), (M)gMPDN, S(RSgR) (R)S N(SDNP), N(DPMD)PMg, PMgM PDN/S(ND)…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-g-M-P-D-N-S
• Reverse: SrgmMDnS (=none)
• Inverse: ni; SgMPnS (=Madhukauns)
• Imperfect: 3 (ga, Ma, Dha)
• Detached: 1 (ga)
• Symmetries: none
• Murchanas: Nat Bhairav set
–Global Translations–
• Carnatic: Dharmavati
S-R2-G2-M2-P-D2-N3-S
• Jazz: Lydian b3
1-2-b3-#4-5-6-7-8
• Pitch classes (‘fret-jumps’):
0-2-3-6-7-9-11-0
(2–1–3–1–2–2–1)
o • o o • • o o • o • o o
• Tanpura: Sa–Pa (+Ni)
• Names: Anjani Kalyan, Dharmavati
—Vinay Sharva & Abhirang (2010)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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