S-r-G-M-P-dD-N-S
A Shree-ang monsoon raga which presents in multivariate modern forms, with particular variance evident in the status of Dha. Kishori Amonkar’s Jaipur-Atrauli interpretation adds shuddha Dha to the basic framework of Jaitashree, whereas Mallikarjun Mansur’s take renders dha komal amidst Shree-ang motions such as rNdP, also showcasing a strong SGP sangati and chayas of Puriya Dhanashree – while some sources consider the raga’s Maihar incarnation as a more straightforward ‘shuddha Dha Shree’ (in this gharana, it may also be titled ‘Dhaulashree’ or ‘Shree Kalyan’). Today’s renditions continue to display considerable variance.
• Raga Masterlist (1000+) •
राग धवलश्री
Search | Glossary | Tags
• Hindustani Raga Index •
Aroha: e.g. NSGPMdP, MDND, PMDNS
Avroh: e.g. rNdPM, GMrGrS
Chalan: e.g. Sr; rMPMGrGrS; MPNSr; Gr; NrS; MPDD; Pr; MPNS; NS; rNDP; MGrGrS (OoR)
—Kishori Amonkar (1988)—
[refrain, e.g.] G(DM), (MP)MG GG(P)r/G G/P(MPS), (N)SGG\r (S)GMPDP(MP); (N)SGG\r, (S)GMP(MP) P(MPM), M(DM) M(P) G(MP)r/G(r)S; (N)SGG…
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• Recent Raga Index Updates (Sep 2026): Melodic ‘snapshots’ of prachalit ragas • Up to 365 raga pages! Some highlights: Bayati, Basant Mukhari, Bilaskhani Todi, Chandranandan, DoGa Kalyan, Jog, Kalavati, Kaushiki, Malkauns, Maru, Meladalan, Parameshwari, Sarangkauns, Vachaspati (+ try out ‘Audav Meladalan‘) • What does ‘Kauns’ mean? Analysing 60+ Kauns ragas • ‘Bifurcations‘: ‘poorvang vs. uttarang’ splits • Amir Khan’s ‘168 merukhands’ • Experiments (e.g. overtonal Bhairav, jazz Malkauns) • Survey of Sa Tunings • More Masterlist ragas (1000+)
Salaman (Toumani Diabaté & Ballaké Sissoko): I’ve loved this composition since ripping it from a Frome Library CD when I was 14… Originally performed by the legendary kora duet on their ‘New Ancient Strings’ album, Based on ‘Tita’, a love song from Western Mali (…the b6 has a ‘between minor and major’ tuning…handled here with a messy bend)
And if you like this stuff then check out Derek Gripper, the true master of arranging Toumani Diabaté for the guitar! @derek_gripper
#kora #worldmusic #mali #africanmusic #guitarsolo @toumanidiabatemusic @ballake.sissoko
Sep 2
Raag Jog: exploring different ways the electric guitar can support a Dhrupad-ang nomtom (syllabic improvisation)…
(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace
#dhrupad #raga #indianmusic #icm #worldmusic
Jun 28
Raag Kafi: Electric guitar improv around the adha bandish ‘Aaj Khel Shaam Sang Hori’
(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace
#raga #indianmusic #icm #worldmusic #ragaguitar
Jun 22
Raag Jog: some sawal-jawab (‘question-answer’) fun with Marc Clayton on tabla
(From ‘Around the World in Eight Ragas’: my show with Ashwin Baliga & Marc Clayton at Mehfil Space on 11 Jun 2026) @ashwinbaligaofficial @marc_plays_tabla @mehfilspace
#raga #indianmusic #icm #worldmusic #ragaguitar
Jun 15
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Maligoura
–Swara Geometries–
• Core form: S–r–G–M–P–dD–N–S
• Reverse: SrgGmMdNS
• Complement: SRgmnS
• Imperfect: 2 (Pa, dha)
• Detached: none
• Symmetries: none
• Murchanas: (none found)
–Global Translations–
• Carnatic: ~Gamanasrama
S-R1-G3-M2-P-D1-D2-N3-S
• Jazz: Lydian b2 (dbl. 6th)
1-b2-3-#4-5-b6-6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-6-7-8-9-11-0
(1–3–2–1–1–1–2–1)
o o • • o • o o o o • o o
• Tanpura: Sa–Pa
• Names: Dhavalshree, Dhavalshri, Dhaulashree, (Maihar: ‘Dhabalshree’ / ‘Shree Kalyan’)
• Transliterations: Hindi (धवलश्री)
—Kishan Patel (2016)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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