S-R-G-D-N-S
An uncommon Kalyan variety, named Adbhut (‘of wonder’) for omitting two of Kalyan’s most vital swaras (Ma & Pa). Remains popular among artists of the Dagarvani Dhrupad, but few others have risen to the centreless challenges of losing both mid-saptak swaras. Aminuddin Dagar reportedly considered the raga to be an offshoot of Khem Kalyan – while Uday Bhawalkar links it to the congruent Carnatic Niroshta, possibly borrowed South by Muthiah Bhagavatar (‘niroshta’ roughly translates as ‘without the lips’: Ma and Pa being the only sargam syllables which require them when singing!).
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—Nirmalya Dey (2013)—
[nomtom, e.g. 2:45] GDGR, SNDG, G(S)DSR, S(D) S(N)R S, GD DDG…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: (none found)
–Swara Geometries–
• Core form: S–R–G–D–N–S
• Reverse: SrgdnS
• Negative: 3-2-2-1-1-1-2 (e.g. Miyan ki Sarang)
• Imperfect: 2 (Sa, Ni)
• Detached: 1 (Sa)
• Symmetries: none
• Murchanas: none
• Quirks: ‘detached Sa‘ • consecutive varjits (Ma–Pa)
–Global Translations–
• Carnatic: Niroshta
S-R2-G3-D2-N3-S
• Jazz: Major (no 4th/5th)
1-2-3-6-7-8
• Pitch classes (‘fret-jumps’):
0-2-4-9-11-0
(2–2–5–2–1)
o • o • o • • • • o • o o
• Tanpura: Sa–Ni
• Names: Adbhut Kalyan, Adbhuta Kalyana, Niroshta
—Bahauddin Dagar (2012)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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