S-R-g-M-P-D-n-S
Adopted from the 58th Carnatic melakarta, Hemavati matches the swaras of ‘Kafi tivra Ma‘, ‘Madhuvanti komal ni’, or ‘Vachaspati komal ga’. Prominently associated with Hariprasad Chaurasia, although it is unclear who may have first borrowed the scale from the South: Abdul Halim Jaffer Khan also recorded it, as has Amjad Ali Khan, with broad melodic variance evident between each individual interpretation. Refer to an engrossing compendium of Chaurasia compositions by his nephew Rakesh, a santoor interpretation by Sandip Chatterjee, and a double-Ni take by Bhimsen Joshi (although some releases title this track as ‘Madhuvanti Malhar’: see Tanseni Madhuvanti) – plus Southern interpretations from L Subramaniam and Mandolin Srinivas. Also see the prakriti (and often distinguishable) Madhukant, as well as Harikauns, Tivrakauns, and Madhukauns: a trio of audav ragas which share Hemavati’s curious ga/Ma/ni combo.
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—Hariprasad Chaurasia (1998)—
[refrain, e.g. 12:23] (R)gR n(Dn)P S, gMP S, PnSgR(gR) n(DnD)P, (R)g(RSn)R, (R)gR n(Dn)P S, gMP S…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Thaat #13, Madhukant
–Swara Geometries–
• Core form: S–R–g–M–P–D–n–S
• Reverse: SRgmMDnS
• Negative: 2-3-1-3-3
• Imperfect: 3 (Ma, Dha, ni)
• Detached: 1 (Ma)
• Symmetries: none
• Murchanas: Kirwani set
• Quirks: ‘tivra Ma, komal ni‘ (rarest pairing)
–Global Translations–
• Carnatic: Hemavathi
S-R2-G2-M2-P-D2-N2-S
• Jazz: Dorian Diminished
1-2-b3-#4-5-6-b7-8
• Pitch classes (‘fret-jumps’):
0-2-3-6-7-9-10-0
(2–1–3–1–2–1–2)
o • o o • • o o • o o • o
• Tanpura: Sa–Pa (+ni)
• Names: Hemavati, Hemvati, ‘Goudi’
—Rakesh Chaurasia (2012)—