[ROUGHS]


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• Compositions •

—Artist (gharana):

—Artist (gharana):

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• (#melodics)

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Aroha: SmR, mRP, mPnDNS
Avroh

Pakad: variable, e.g. 
Chalan: illustrative sequences e.g.

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• More •

Histories, melodies, mythologies, etc…

—T—

 


Q

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• Guitaragas •

My attempts to capture the raga on electric guitar (see more of these clips)

—on electric guitar (section)—

A (bandish)…

• Experiments •

Novel interpretations of the raga’s essence…

—T—

 


Q

Track (artist) •


[tab]

HARMONY
PLAYING

—Track (year)—

()

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–Proximate Forms–
T = ‘ s
T = ‘ s
T = ‘ s
(n.b. these are just ‘scalar similarities’, with nothing particular implied about phraseological overlap)

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• Carnatic Origins •


—Ragam (mela #)—
(artist)

All ragas of Carnatic origin

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• Ragmalas •

Historic miniature paintings (learn more)

[550]
“…” (, c.) / “…” (, c.)

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–Around the World–

 


—T (place)—
(artist, year)

Q

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• Raga | 

• Raga | 

• Raga | 

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• Khokar set (7) •

4-1-2-2-1-1-1



  • 1 (S-G-m-P-D-nN-S): Khokar
  • 2 (S-r-g-mM-P-d-S):
  • 3 (S-R-G-mM-P-N-S): –
  • 4 (S-R-gG-m-D-n-S): Eeshawari
  • 5 (S-rR-g-P-d-n-S):
  • 6 (S-rR-M-P-D-N-S):
  • 7 (S-r-mM-d-nN-S):

• Hanskinkini set (8) •

2-1-1-1-2-2-2-1



  • 1 (S-R-gG-m-P-D-N-S): Hanskinkini
  • 2 (S-rR-g-m-P-D-n-S):
  • 3 (S-rR-G-M-dD-N-S):
  • 4 (S-r-g-m-P-d-nN-S):
  • 5 (S-R-G-M-P-D-nN-S): Shankara Karan
  • 6 (S-R-G-m-P-dD-n-S): –
  • 7 (S-R-g-mM-P-d-n-S):
  • 8 (S-r-gG-mM-d-n-S):