• Raag Hanskinkini •

S-R-gG-m-P-D-nN-S


Running something like a ‘double-Ga, double-Ni Dhanashree’, Hanskinkini is full of florid alankars and intricate melodic turns – reflected in the meaning of its name, which translates as ‘swan’ + ‘small tinkling ornament’. Performers may draw on the melodic flexibilities of other ‘double Ga+Ni’ ragas including Pilu and Jaijaiwanti, while preserving the Dhanashree-ang kernel via phrases such as mPnDP; SnDP; mPGRS (Tanarang: “a flittering, volatile melody”). Famously highlighted by Lata Mangeshkar in the 1952 film Naya Zamana (Kahan Jate Ho Toota Dil Hamara), the raga’s direct lineage seems to stretch back to at least the era of Sadarang (~17th century), although detailed historical records are hard to come by. Aneesh Pradhan recommends the renditions of D.V. Paluskar and Shruti Sadolikar (also noting that “curiously, the image of the ‘hamsa-mithun’ [swan-couple], a symbol of eternal love, seems missing in Hindustani compositions: intriguing, since one encounters birds in other compositions…”). Also see Patdeepaki, an intertwined form which prefers the flavours of Bhimpalasi to those of Dhanashree.


Raga Megalist (365+) •
Search | Glossary | Tags
Hindustani Raga Index •

BlackLineNARROWER

Aroha: e.g. NSGmPNS
Avroh: e.g. SnDPmP, GmPgRS, NS

Chalan: signatures e.g. NSGmPgR; SRNS; GmPnDP; GmPgRS (Tanarang)

BlackLineNARROWER

—Soumik Datta (2018)—


[gat, e.g. 12:04] PPnn D(n)PP, SGmP, (m)g RR(S)nS…

BlackLineNARROWER

• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | BihagBilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

BlackLineNARROWER

• Prakriti: Jaijaiwanti, Jaijaiwanti Nat, Gara, Zila Kafi, Jayant Malhar, Ramdasi Malhar, Rageshri Bahar, Tilang Bahar, Nagadhwani Kanada, Patdeepaki

BlackLineNARROWER

–Swara Geometries–

Core form: SRgGmPDnNS
Reverse: SrRgmPdDnS (=Amiri Todi)
Negative: 5-5-2
Imperfect: 1 (Ni)
Detached: none
Symmetries: mirror (r—P)
Murchanas: Jaijaiwanti set

Quirks: maximal‘ (swaras are optimally ‘spread out’)

BlackLineNARROWER

–Global Translations–

Carnatic: ~Kapi
S-R2-G2-G3-M1-P-D2-N2-N3-S
Jazz: Dorian-Ionian
1-2-b3-3-4-5-6-b7-7-8
Pitch classes (‘fret-jumps’):
0-2-3-4-5-7-9-10-11-0
(2–1–1–1–2–2–1–1–1)

o • o o o o • o • o o o o


BlackLineNARROWER

• Tanpura: Sa–Pa
• Names: Hanskinkini, Hans Kinkini, Hanshakankani, Hams Kankani, Hamskankini

BlackLineNARROWER

—Rajan & Sajan Mishra (2018)—

BlackLineNARROWER

 

Get started with learning raga! •

Share these ragas! My site is 100% reliant on organic visitors (and none of your donations go to ad agencies…) – share this with fellow sonic searchers!

[MORE TO FOLLOW]

Like everything on my site, the Raga Index will always remain open-access & ad-free: however, anti-corporate musicology doesn’t pay the bills! I put as much into these resources as time and finances allow – so, to hasten the project’s expansion, you can:

Support the Raga Index! •

—Riyaz-focused notations & bandish—
—Resurrecting rare and ancient ragas—
—Further melodic & geometric analysis—
—Engaging with Hindustani performers—
—Ensuring that high-quality raga knowledge will remain open to all, at no cost: free from commercial motive!—

 

Hindustani Raga Index

An open-ended project seeking to bring North Indian raga closer to all who approach with open ears. Combines direct input from dozens of leading Hindustani artists with in-depth insights from music history, global theory, performance practice, cognitive science, and much more! [out 2023-24]

Megalist (365+ ragas)
Search: Find your new favourite •
Tags: Classifying the ragascape •
Glossary: Raga jargon demystified
Murchanas: Swara-set rotations •
Thaat: Bhatkhande’s base scales •
Ragatable: Analytical connections •
Tanpuras: Divine overtonal drones •
Quotes: Musings from raga artists •
Talas: Hindustani rhythm cycles •
Sa | Re | Ga | Ma | Pa | Dha | Ni
[Random Raga]

—Search the Raga Index—

Feedback / Contact •

George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!

Projects & articles: full list •

everything 100% ad-free and open-access