S-R-gG-m-P-D-nN-S
[summary]
• Raga Megalist (365+) •
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• Hindustani Raga Index •
—Ravi Shankar (2001)—
[refrain, e.g. 1:12] (SNS)N S(mR) R(mgmgRgRS), (RS)R SS(RS), (nDP)DP (PD)PD N(SN), N(SN), S, (NSR)S (nD)n, R, RR, Rg(Rmg) (R)SS, N(SmRmg), g(RgR), (RSNS)N N(SN), S(mR), R(gRmgRg), (RS)R S(RS), (nD)nD (DPD)PD N(SN), (nD)PDNS NS…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-R-gG-m-P-D-nN-S
• Reverse: SrRgmPdDnS (=Amiri Todi)
• Inverse: dha; SmnS (=none)
• Imperfect: 1 (Ni)
• Detached: none
• Symmetries: mirror (r—P)
• Murchanas: Jaijaiwanti set
–Global Translations–
• Carnatic: ~Kapi
S-R2-G2-G3-M1-P-D2-N2-N3-S
• Jazz: Dorian-Ionian
1-2-b3-3-4-5-6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-2-3-4-5-7-9-10-11-0
(2–1–1–1–2–2–1–1–1)
o • o o o o • o • o o o o
• Tanpura: Sa–Pa
• Names: Gara, Gaara, Ghara
—Ashwini Bhide-Deshpande (2018)—