S-r-g-m-P-D-n-S
Somewhat resembling a ‘Bageshri komal re’, ‘Ahir Bhairav komal ga’, or ‘Patdeep komal ni’, Ahiri favours long, kaleidoscopic melodies, laden with shapes from nearby ragas. Many artists give special prominence to an ‘equilateral triangle’ of nyas (r-m-D), while also drawing from its murchana-set neighbours Patdeep, Charukeshi, and Vachaspati. Matches the Carnatic Natakapriya, although ultimate origins remain mysterious.
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[Swaras]
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: Exact | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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