S-r-g-m-D-n-S
A near-extinct raga of uncertain origin, Deen Todi takes an ‘Ahiri no Pa’ form. Best preserved via an astonishing rendition by Kamalesh Maitra on the tabla tarang (a semicircle of 13 sruti-tuned dayan drums), accompanied by a multiphonic cluster of tanpura drones (tuned DnrS). Parveen Sultana has also sung it live, and seems to have taught it to students too – but today, Deen Todi has largely been subsumed by the swara-congruent Parameshwari.
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—Kamalesh Maitra (1996)—
[Swaras]
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
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Poorvang: SRGM | SRG | SRM | SGM
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Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: Exact | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
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Symmetries: Mirror | Rotation | Palindr.
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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