S-G-M-P-n-S
A ‘pentatonic Vachaspati’ created (as the name implies) by Indore vocal master Amir Khan, which omits Re and Dha (thus, Amirkhani Kauns is to Vachaspati as Dhani is to Kafi). All swaras except Sa are imperfect – with the unusual Ma–ni sangati exerting inevitable gravity and drawing melodies away from clear resolution. Few of the Ustad’s renditions have made it to record, and an extended take from shortly before his tragic 1974 passing (possibly part of his very last concert) just lists it as ‘Untitled Raga’ (side B of the same LP contains another untitled form, which is in fact Chandramadhu: the same scale but with komal ga). As noted by Abhirang, the SGMPnS swara set is also known as ‘Yogini’ (Sanskrit for ‘state of union’: the same derivation as ‘yoga’ and ‘Jog’), which he links to the lineage of the Carnatic Hrodini – and elsewhere I’ve seen it referred to as ‘Audav Ram Kalyan’ (n.b. numerous Vachaspati renditions have a weak or absent aroha Re).
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• Hindustani Raga Index •
Aroha: SGMPnS
Avroh: SnPMGS
Chalan: (uncodified)
—Amir Khan (1974)—
[themes, e.g. 0:03] (S)G, MPM\G(Sn)S, (S)P (P)n S, S(nS), (S)G, MPM\G(Sn)S, (S)P (PS)n S…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: (none found)
–Swara Geometries–
• Core form: S–G–M–P–n–S
• Reverse: SRmMdS
• Negative: 2-1-1-2-3-1-2
• Imperfect: 4 (Ga, Ma, Pa, ni)
• Detached: 3 (Ga, Ma, ni)
• Symmetries: none
• Murchanas: none
• Quirks: ‘tivra Ma, komal ni‘ (rarest pairing) • ‘fragmented‘ (at least half the swaras are detached)
–Global Translations–
• Carnatic: ~Hrodini/Yogini
S-G3-M2-P-N2-S
• Jazz: Lydian Dominant (no 2nd/6th)
1-3-#4-5-b7-8
• Pitch classes (‘fret-jumps’):
0-4-6-7-10-0
(4–2–1–3–2)
o • • • o • o o • • o • o
• Tanpura: Sa–Pa
• Names: Amirkhani Kauns, Amir Khani Kauns, Khan-i Kauns, Yogini, ‘Audav Ram Kalyan’, ‘Amirkhani Vachaspati’
—Jayanthi Sridharan (2022)—