S-G-mM-P-D-nN-S
A speciality of the Rampur khayal gharana, which introduces the tense Ma–ni sangati to the basic framework of Bihag, further accentuated by a weak or absent Re – leaving two ‘4-row’ clusters (GmMP & DnNS), arranged symmetrically. Parrikar recounts the “enchanting tonal formulations” of his guru Ramrang’s rendition (passed down by his own guru Bholanath Bhatt, who in turn learned it from sarangi legend Bundu Khan) – while Ramrang’s Abhinava Geetanjali volumes give a chalan of SNSGmG, GmPDnS, nDPDNSNP, MPDnSnDP, GmG. The name translates as ‘Moonlit Bihag’.
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—Ramashreya Jha ‘Ramrang’ (~1990s)—
[bandish, e.g. 0:01] GmP, NSN(DPMP) P(MP) m(Gm)G, G(R)S SN(P), NNSSS, G(mPD)G (G)P, G(RS)S, SSG m, PDD(SD)n D (P)mPNS, N(DP), S…
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: (none found)
–Swara Geometries–
• Core form: S–G–mM–P–D–nN–S
• Reverse: SrRgmMPdS
• Negative: 5-1-1-5
• Imperfect: 2 (Ma, Pa)
• Detached: none
• Symmetries: mirror (R—d)
• Murchanas: none
–Global Translations–
• Carnatic: ~Savithri
S-G3-M1-M2-P-D2-N2-N3-S
• Jazz: Bebop Dom. (no 2nd, dbl. 4th)
1-3-4-#4-5-6-b7-7-8
• Pitch classes (‘fret-jumps’):
0-4-5-6-7-9-10-11-0
(4–1–1–1–2–1–1–1)
o • • • o o o o • o o o o
• Tanpura: Sa–Pa
• Names: Chandni Bihag, Chandani Behag
—Shashank Maktedar (2017)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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