Dhavalshree | SrGMPdDNS | Hindustani Raga Index

S-r-G-M-P-dD-N-S

A Shree-ang monsoon raga which presents in multivariate modern forms, with particular variance evident in the status of Dha. Kishori Amonkar’s Jaipur-Atrauli interpretation adds shuddha Dha to the basic framework of Jaitashree, whereas Mallikarjun Mansur’s take renders dha komal amidst Shree-ang motions such as rNdP, also showcasing a strong SGP sangati and chayas of Puriya Dhanashree – while some sources consider the raga’s Maihar incarnation as a more straightforward ‘shuddha Dha Shree’ (in this gharana, it may also be titled ‘Dhaulashree’ or ‘Shree Kalyan’). Today’s renditions continue to display considerable variance.

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राग धवलश्री

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Aroha: e.g. NSGPMdP, MDND, PMDNS

Avroh: e.g. rNdPM, GMrGrS

Chalan: e.g. Sr; rMPMGrGrS; MPNSr; Gr; NrS; MPDD; Pr; MPNS; NS; rNDP; MGrGrS (OoR)

—Kishori Amonkar (1988)—

[refrain, e.g.] G(DM), (MP)MG GG(P)r/G G/P(MPS), (N)SGG\r (S)GMPDP(MP); (N)SGG\r, (S)GMP(MP) P(MPM), M(DM) M(P) G(MP)r/G(r)S; (N)SGG…

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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

• Prakriti: Maligoura

–Swara Geometries–

• Core form: S–r–G–M–P–dD–N–S

• Reverse: SrgGmMdNS

• Negative: 4-1-2-5

• Imperfect: 2 (Pa, dha)

• Detached: none

• Symmetries: none

• Murchanas: (none found)

–Global Translations–

• Carnatic: ~Gamanasrama

S-R₁-G₃-M₂-P-D₁-D₂-N₃-S

• Jazz: Lydian b2 (dbl. 6th)

1-b2-3-#4-5-b6-6-7-8

• Pitch classes (‘fret-jumps’):

0-1-4-6-7-8-9-11-0

(1–3–2–1–1–1–2–1)

o o • • o • o o o o • o o

• Tanpura: Sa–Pa

• Names: Dhavalshree, Dhavalshri, Dhaulashree, (Maihar: ‘Dhabalshree’ / ‘Shree Kalyan’)

• Transliterations: Hindi (धवलश्री)

—Kishan Patel (2016)—

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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!