S-r-g-mM-P-D-nN-S

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[summary]

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• Raga Megalist (365+) •

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• Hindustani Raga Index •

—Raghunandan Panshikar (2010)—

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[bandish, e.g. 0:47] S(g)rm, P(DP) D(P), (m)D Pm, Sm(gPmgm) g\r(gr) g(rg)S, D(nDS) (nD)n D, (S)n (S)n/S S, SS (Sg)r (g)r (r)g\r r\SS, S(g)r r/m, (S)mm m(PmDPnDnP)m, g\r rS…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

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Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

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Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

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• Core form: S-r-g-mM-P-D-nN-S

• Reverse: SrRgmMPDNS (=none)

• Inverse: dha; SMdS (=none)

• Imperfect: 3 (re, Pa, Dha)

• Detached: 1 (Dha)

• Symmetries: none

• Murchanas: none

–Global Translations–

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• Carnatic: (~Divyamani)

S-R₁-G₂-M₁-M₂-P-D₂-N₂-N₃-S

• Jazz: Dorian b2 (dbl. 4th/7th)

1-b2-b3-4-#4-5-6-b7-7-8

• Pitch classes (‘fret-jumps’):

0-1-3-5-6-7-9-10-11-0

(1–2–2–1–1–2–1–1–1)

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o o • o • o o o • o o o o

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• Tanpura: Sa–Pa (+Dha)

• Names: Niranjani Todi, Neeranjani Todi

—Kishori Amonkar (~1990s)—

(^ the ‘normal’ Todi: I can’t find any of her Niranjani renditions…)