S-r-G-mM-P-d-N-S
A morning form summarised by Bose as “a combination of three or four ragas dominated by the Bhairav-ang…with a touch of Lalit-ang only in the avroh (where both Ma come together)…The vadi Ma separates Prabhat Bhairav from Bhairav, while Pa keeps it away from Lalit” (also see the congruent-but-distinct Lalit Pancham). Pakad include GmG; rSrS; dNS; GmdP; mGr; GmMGrS. See an excellent demo by Mrinal Dhongade, who summarises it as “heartwarming…an uttarang-pradhan raga, with repeated nyas on shuddha ma”. Thus far, the exclusive realm of khayal vocalists.
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—Sharad Sathe (2017)—
[bandish, e.g. 3:14] S(d)NS, G, G/m(GmG), G(mG)PmG\r S, SSS, S(NrS)N\d, dNSS, SG mG, PmG\r S, Sr/d(PdP), P(m), mPm(GmG), rGmMMG, r/dM(rdM), rS; S(d)NS, G…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-r-G-mM-P-d-N-S
• Reverse: SrGmMPdNS (=itself)
• Inverse: ni; SGmNS (=none)
• Imperfect: 2 (Pa, dha)
• Detached: none
• Symmetries: mirror (S—M)
• Murchanas: none
–Global Translations–
• Carnatic: ~Kamavardhini
S-R1-G3-M1-M2-P-D1-N3-S
• Jazz: Double Harmonic (dbl. 4th)
1-b2-3-4-#4-5-b6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-5-6-7-8-11-0
(1–3–1–1–1–1–3–1)
o o • • o o o o o • • o o
• Tanpura: Sa–Pa
• Names: Prabhat Bhairav, Prabhata, Prabhati
—Mrinal Dhongade (2010)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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