S-r-G-mM-P-d-N-S

---

[summary]

---

• Raga Megalist (365+) •

Search | Glossary | Tags

• Hindustani Raga Index •

—Kishori Amonkar (2000)—

---

[Swaras]

---

• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

---

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.

---

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

–Swara Geometries–

---

• Core form: S-r-G-mM-P-d-N-S

• Reverse: SrGmMPdNS (=itself)

• Inverse: ni; SGmNS (=none)

• Imperfect: 2 (Pa, dha)

• Detached: none

• Symmetries: mirror (S—M)

• Murchanas: none

–Global Translations–

---

• Carnatic: Kamavardhini

S-R₁-G₃-M₁-M₂-P-D₁-N₃-S

• Jazz: Double Harmonic (dbl. 4th)

1-b2-3-4-#4-5-b6-7-8

• Pitch classes (‘fret-jumps’):

0-1-4-5-6-7-8-11-0

(1–3–1–1–1–1–3–1)

---

o o • • o o o o o • • o o

---

• Tanpura: Sa–Pa (+Ni)

• Names: Lalit Pancham, Lalat Panchama

—Ulhas Kashalkar (1993)—