S-r-G-mM-P-D-N-S
A title applied to various offshoots of Lalit which add some combination of Pa and shuddha Dha to the basic SrGmMdNS swara set, often removing komal dha in the process. Many such incarnations draw from Basant (a raga which features Pa and, depending on variant, either form of Dha) – and some also feature phrases from Bhankari and beyond. The most prominent renditions come from Jaipur-Atrauli artists such as Kishori Amonkar and Ashwini Bhide-Deshpande – although many from outside the gharana have also added it to their repertoire, including Patiala stalwart Ajoy Chakraborty, Maihar sitarist Nikhil Banerjee, Delhi sarangiya Umrao Bundu Khan, and Sham Chaurasi Dhrupad vocalist Niaz Hussain Shami (also hear Amonkar’s violin accompanist Yadnesh Raikar play it solo). Compare to other Lalit-based compounds including Ahir Lalit, Lalita Gauri, Lalita Sohini, Prabhat Bhairav, and the Carnatic-imported Meghranjani.
• Raga Megalist (365+) •
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• Hindustani Raga Index •
—Kishori Amonkar (2000)—
[bandish, e.g. 0:29] N(rS)N, (NDN)DNS (S)m, mm(G), (S)mm mm Gm(MGmMmGmG), (Sm)Gm D (NDND)M, m(Gm)D m(DNDSN)S SS, P(SN) (N)Sr\ND, D\P, PD P(mP) m(Gm), S/G m(MGmMmGm)G, Gm/N S(NS)D (MG)G (r)MGG (r)S, S(NS), (SNS)DNS (S)m…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Bhankari, Bhatiyar, Shuddha Basant, Pancham, Sohini Pancham, Vihang
–Swara Geometries–
• Core form: S–r–G–mM–P–D–N–S
• Reverse: SrgmMPdNS
• Negative: 4-1-5-2
• Imperfect: 2 (re, Pa)
• Detached: none
• Symmetries: none
• Murchanas: none
–Global Translations–
• Carnatic: ~Chayatharangini
S-R1-G3-M1-M2-P-D2-N3-S
• Jazz: Lydian-Ionian b2
1-b2-3-4-#4-5-6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-5-6-7-9-11-0
(1–3–1–1–1–2–2–1)
o o • • o o o o • o • o o
• Tanpura: Sa–Pa (+Ni)
• Names: Lalit Pancham, Lalat Panchama
—Ulhas Kashalkar (1993)—