S-r-G-mM-P-D-N-S
A dawn raga fabled as a creation of Raja Bhartruhari, a mythical King of Ujjain who is said to have abdicated from his life of material wealth and romantic pleasure to pursue a path of ascetic devotion. Somewhat resembling a ‘vakra Marwa with Pa’, Bhatiyar omits or limits re and Ni in aroha – with, as per Deepak Raja, “a centre of melodic gravity in the mid-octave region, but tilting towards the upper tetrachord”. Some perceive an anxious, foreboding character, but the raga’s subtleties can produce many moods.
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—Mita Nag (2014)—
[jor motifs, e.g. 4:58] N(SNR) N(SNS) N(SND), DNrG/mG(rm) Gm(G)r, SS, NN r, S; S/m, m, m…mPD N(SNSNS) D(NDNDN) P…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
–Swara Geometries–
• Core form: S-r-G-mM-P-D-N-S
• Reverse: SrgmMPdNS (=none)
• Inverse: ni; SGmnS (=none)
• Imperfect: 2 (re, Pa)
• Detached: none
• Symmetries: none
• Murchanas: none
–Global Translations–
• Carnatic: Chayatharangini
S-R1-G3-M1-M2-P-D2-N3-S
• Jazz: Lydian-Ionian b2
1-b2-3-4-#4-5-6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-5-6-7-9-11-0
(1–3–1–1–1–2–2–1)
o o • • o o o o • o • o o
• Tanpura: Sa–Pa (+Dha)
• Names: Bhatiyar, Bhatiar, Bhatiyaar, Bhatiyari, Bhattihari
—Pandit Jasraj (1991)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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