S-r-G-mM-P-D-N-S
A dawn raga fabled to have been created by Raja Bhartruhari, a mythical King of Ujjain said to have abdicated from his life of material wealth and romantic pleasure to pursue a path of ascetic devotion. Somewhat resembling a ‘vakra Marwa with Pa’, Bhatiyar limits the use of re and Ni in aroha – with, as per Deepak Raja, “a centre of melodic gravity in the mid-octave region, but tilting towards the upper tetrachord”. Some perceive an anxious, foreboding character, but the raga’s subtleties can produce many moods.
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—Mita Nag (2014)—
[Swaras]
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: Exact | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
—SUBMIT RAGA INFO—