S-r-G-mM-P-dD-N-S
A rare raga of the Jaipur-Atrauli gharana, described by Rajan Parrikar as “essentially Raag Poorvi adorned with bells and whistles” (namely, the Ma-mixing catchphrases Sm, mGP and M, MP Pd, dNdP). Mewati innovator Pandit Jasraj also recorded his own captivating rendition, seasoned by the liberal inclusion of shuddha Dha. Also explored by the great Vilayat Khan on surbahar.
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—Rajshekhar Mansur (~1990s)—
[bandish, e.g. 0:04] (NSr)Sm (m)rG, MP PdNdP, dMPGmG(r) G(rG), M\GG, (rGMD)MG, G(MGMG)rS, (N)rNS, (SrS)mm (m)G(rG), MP PdNdP, dMPGmG(r) G…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Lalita Gauri, Sazgiri, Sonakshi
–Swara Geometries–
• Core form: S–r–G–mM–P–dD–N–S
• Reverse: SrgGmMPdNS
• Negative: 4-1-7
• Imperfect: 2 (Pa, dha)
• Detached: none
• Symmetries: none
• Murchanas: none
–Global Translations–
• Carnatic: ~Kashiramakriya
S-R1-G3-M1-M2-P-D1-D2-N3-S
• Jazz: Double Harmonic (dbl. 4th/6th)
1-b2-3-4-#4-5-b6-6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-5-6-7-8-9-11-0
(1–3–1–1–1–1–1–2–1)
o o • • o o o o o o • o o
• Tanpura: Sa–Pa
• Names: Purba, Poorba, Poorbya
—Vilayat Khan (~1991)—
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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