S-r-G-M-P-D-N-S
As per Deepak Raja’s insightful analysis, “Purva [bears] resemblance to Puriya in terms of swara material, phraseology, melodic centre of gravity, and aural impression” – also adding that, while sitarist Vilayat Khan considered the raga indistinguishable from Puriya Kalyan, it is in fact marked out by “differential weightages given to different segments of the octave…It is difficult for two ragas of such subtle differentiation to coexist”. Attributed by Bhatkhande, based on limited textual evidence, as having derived from “a combination of Poorvi, Maru, and Gauri” (also see Puriya Dhanashree). Not to be confused with Purba (although mistitlings are common) – and some renditions seem to take a komal dha rather than the shuddha.
• Raga Megalist (365+) •
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• Hindustani Raga Index •
—Vilayat Khan (1970s)—
[refrain, e.g. 17:24] P(MDP) P(MP), MG, M, (M)G G, G(MG)rG, (P)MM D(N) D(PMP), G(PG), S(rS), S(NS), S(NS)N P(DN), MP, MG M, G G…
• Classifiers •
Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+
Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: 10 | 32 | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
Aroha: Audav | Shadav | Sampurna
Avroh: Audav | Shadav | Sampurna
Jati: Equal | Balanced | Av.+1 | Av.+2
Samay: Morning | Aftern. | Eve. | Night
Murchana: Bhup. | Bihag | Bilaw. | Charu.
Raganga: Bhairav | Malhar | Kan. | Todi
Construction: Jod | Mishra | Oddball
Origin: Ancient | Carnatic | Modern
Dominance: Poorvang | Uttarang
Prevalence: A-list | Prachalit | Aprach.
• Prakriti: Marwa thaat, Puriya Kalyan, Shree Kalyan, Purva, Baradi
–Swara Geometries–
• Core form: S–r–G–M–P–D–N–S
• Reverse: SrgmMdNS
• Negative: 4-1-2-3-2 (e.g. Sundarkauns)
• Imperfect: 2 (re, Pa)
• Detached: none
• Symmetries: none
• Murchanas: Deepavali (on Pa)
–Global Translations–
• Carnatic: ~Purvikalyani
S-R1-G3-M2-P-D2-N3-S
• Jazz: Lydian b2
1-b2-3-#4-5-6-7-8
• Pitch classes (‘fret-jumps’):
0-1-4-6-7-9-11-0
(1–3–2–1–2–2–1)
o o • • o • o o • o • o o
• Tanpura: Sa–Pa (+Ni)
• Names: Purva, Purava, Purvya (not Purba)
—Jitendra Abhisheki (1988)—