• Raag Adi Basant •

S-rR-G-m-P-D-N-S


An alternate form of the far more prevalent Basant (‘Springtime’), named for its intimate connection to the ceremonies of that season. Many see Adi Basant as the latter’s ancestor, highlighting its historic prevalence in Dhrupad and Haveli Sangeet. Usually played before dawn, Adi Basant remains rare outside of the Dagarvani lineages and associated Dhrupad zones.


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—Bahauddin Dagar (2019)—


[sanchari phrases, e.g. 0:05] (SN)D(ND), (N)D, D(SNr)S, S(NS), NS(NrS), N(D), DS(N), DS(N)G r, r, S, D(NS), N(S), S(DN), (G)m, (G)m, (G)m, r, S…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):


Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Double: rR | gG | mM | dD | nN

Thaat: 10 | 32Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Symmetries: Mirror | Rotation | Palindr.


Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Murchana: Bhup. | Bihag | Bilaw. | Charu.

Raganga: Bhairav | Malhar | Kan. | Todi

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

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–Swara Geometries–

Core form: S-rR-G-m-P-D-N-S
Reverse: SrgmPdnNS (=none)
Inverse: ni; SmdnS (=none)
Imperfect: 2 (re, Ni)
Detached: 1 (re)
Symmetries: none
Murchanas: Miyan ki Malhar (on Re)

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–Global Translations–

Carnatic: (~Vasantha)
S-R1-R2-G3-M1-M2-D2-N3-S
Jazz: Ionian (dbl. 2nd)
1-b2-2-3-4-5-6-7-8
Pitch classes (‘fret-jumps’):
0-1-2-4-5-7-9-11-0
(1–1–2–1–2–2–2–1)

o o o • o o • o • o • o o


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• Tanpura: Sa–ma
• Names: Adi Basant, Adhi Vasanta

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—Ravi Shankar (1986)—

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