S-rR-gG-m-P-D-nN-S

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A ten-toned multi-jod raga, Bhairav Bahar’s descent blends the melodic signatures of several disparate ragas, notably including the springtime Bahar – although, as per Darbhanga Dhrupad vocalist Premkumar Mallick, flavours of Bhairav should dominate the overall impression. Bose gives a vadi–samvadi of ma–Sa, while also mentioning the existence of an alternate ‘double-Dha’ version (thus allowing for the use of every swara position except tivra Ma). Refer to recordings by Bhimsen Joshi, Apoorva Gokhale, and Vilayat Khan (at the 1981 BBC Proms with Zakir Hussain on tabla, also showcasing the Imdadkhani sitarist‘s impressive vocal skills) – as well as Rajan Parrikar’s rundown of further renditions. Compare to other members of the Bhairav raganga.

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• Raga Masterlist (1000+) •

राग भैरव बहार

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• Hindustani Raga Index •

—Apoorva Gokhale (2018)—

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[bandish, e.g. 43:47] mG m/nD, D(nSN)S, nD(n)P, mg(mP)m G\r S, mG m/nD, D(nSN)S…

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• Classifiers •

Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

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Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

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Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

Jati: Equal | Balanced | Av.+1 | Av.+2

Samay: Morning | Aftern. | Eve. | Night

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

• Prakriti: (none found)

Also compare to other members of the Bhairav raganga

–Swara Geometries–

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• Core form: S–rR–gG–m–P–D–nN–S

• Reverse: SrRgmPdDnNS

• Complement: SMdS

• Imperfect: 2 (re, Ni)

• Detached: 1 (re)

• Symmetries: mirror (r—P)

• Murchanas: none

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• Quirks: ‘maximal‘ (swaras are optimally ‘spread out’)

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–Global Translations–

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• Carnatic: ~Basant Bahaar

S-R₁-R₂-G₂-G₃-M₁-P-D₂-N₂-N₃-S

• Jazz: Ionian (dbl. 2nd/3rd/7th)

1-b2-2-b3-3-4-5-6-b7-7-8

• Pitch classes (‘fret-jumps’):

0-1-2-3-4-5-7-9-10-11-0

(1–1–1–1–1–2–2–1–1–1)

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o o o o o o • o • o o o o

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• Tanpura: Sa–Pa

• Names: Bhairav Bahar, Bahar Bhairava

• Transliterations: Hindi (भैरव बहार); Bengali (ভৈরব বাহার)

—Vilayat Khan (1981)—