Gujiri Todi | SrgMdNS | Hindustani Raga Index

S-r-g-M-d-N-S

A popular Todi variant named for its historic associations with Gujarat, India’s Westernmost state. Linked to the morning hours, it distinguishes itself from the main Todi by omitting Pa throughout. Tanarang cites a mood of “sweetness and karuna“, revolving around a deergha komal re – with komal dha also playing a particularly prominent role, separated from its downward resolution to Pa. Intriguingly, Dagarvani artists such as beenkar Bahauddin Dagar choose to intone the raga’s Sa with a slightly higher sruti than that of the tanpura, tuned in accordance with the sun’s daily arc (see ‘non-zero Sa‘). Gujiri Todi’s SrgMdNS swara set is a murchana of both Jog and Brindabani Sarang – also lying close to Din ki Puriya (the same scale with shuddha Ga instead), Mangal Gujari (with komal ni) and Antardhwani (with shuddha ma). Refer to outstanding renditions by Shivkumar Sharma, Hariprasad Chaurasia, Uday Bhawalkar, Bhimsen Joshi, and Parveen Sultana (sthayi transcribed below), as well as a sublime sitar–shehnai jugalbandi from Vilayat Khan & Bismillah Khan. Compare to other Todi ragas.

—Parveen Sultana (2007)—

[refrain, e.g. 2:54] (d)Srg/d Mg(rg)r, g r S(NS), (d)Srg/d…

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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):

Swaras: -4 | 5 | 6 | 7 | 8 | 9 | 10+

Sapta: Audav | Shadav | Sampurna

Poorvang: SRGM | SRG | SRM | SGM

Uttarang: PDNS | PDS | PNS | DNS

Varjit: Re | Ga | Ma | Pa | Dha | Ni

Thaat: 10 | 32 | Enclosed | Inexact

Chal: All-shuddha | All-komal | Ma-tivra

Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row

Aroha: Audav | Shadav | Sampurna

Avroh: Audav | Shadav | Sampurna

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Samay: Morning | Aftern. | Eve. | Night

Construction: Jod | Mishra | Oddball

Origin: Ancient | Carnatic | Modern

Dominance: Poorvang | Uttarang

Prevalence: A-list | Prachalit | Aprach.

• Prakriti: (none found)

See all shadav ragas which omit Pa – and also compare to other members of the Todi raganga

–Swara Geometries–

• Core form: S–r–g–M–d–N–S

• Reverse: SrGMDNS (=Marwa)

• Complement: SRGmPDnS (=Khamaj)

–Global Translations–

• Carnatic: ~Shekharachandrika

S-R₁-G₂-M₂-D₁-N₃-S

• Jazz: Locrian b2 b3 b6 (no 5th)

1-b2-b3-#4-b6-7-8

• Pitch classes (‘fret-jumps’):

0-1-3-6-8-11-0

(1–2–3–2–3–1)

o o • o • • o • o • • o o

• Names: Gujiri Todi, Gujari Todi, Gurjari Todi

• Transliterations: Hindi (गुर्जरी तोडी); Bengali (গুর্জরী টোড়ি)

—Shivkumar Sharma (2010)—

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