S-R-m-P-nN-S
Sarang ragas, often linked with 16th-century mystic-musician Swami Haridas, are also said to have been used in snake-charming rituals of the past. Brindabani Sarang, named for Uttar Pradesh’s Vrindavan region, is believed to have brought an incarnation of Krishna to earth when Haridas sung it for the first time. The raga is associated with the blazing midday sun, and consequently tends to be expounded in madhya and taar saptak. Re (the vadi) is typically played ‘unadorned’: free of slides, trills, or other ornaments. Similar to Madhumad Sarang.
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[Swaras]
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Explore hidden inter-raga connections: swara geometries, melodic features, murchana sets, ragangas, & more (also see the Full Tag List):
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Sapta: Audav | Shadav | Sampurna
Poorvang: SRGM | SRG | SRM | SGM
Uttarang: PDNS | PDS | PNS | DNS
Varjit: Re | Ga | Ma | Pa | Dha | Ni
Double: rR | gG | mM | dD | nN
Thaat: Exact | Enclosed | Inexact
Chal: All-shuddha | All-komal | Ma-tivra
Gaps: Anh. | Hemi. | 3-row | 4-row | 5-row
Symmetries: Mirror | Rotation | Palindr.
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George Howlett is a London-based musician, writer, and teacher (guitars, sitar, tabla, & santoor). Above all I seek to enthuse fellow sonic searchers, interconnecting fresh vibrations with the voices, cultures, and passions behind them. See Homepage for more, and hit me up for Lessons!
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